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er Aar_ Anna van Gogh-Kaulbach, _Voor twee Levens_ AE.W. Timmerman, _Leo en Gerda_ IV. Dr. Nahum Slousch, _La Poesie lyrique Hebraique contemporaine_ Dr. Gustave Karpeles, _Heine-Reliquien _ Josef Cohen Van Collem J.I. de Haan S. Bonn, _Een Bonte vlucht van verzen_ Is. Querido, _De Jordaan_ Else Jerusalem, _Het Roode Huis_, vertaald door Mevr. S.J. Barentz-Schoenberg L. Simons, _Studies en Lezingen_ Vertalingen, behoorend bij "Brieven over Literatuur" HET HISTORISCH-MATERIALISME IN DE LITERAIRE CRITIEK I. Mevr. Henriette Roland Holst, Studies over Socialistische Aesthetica; H. Gorter, Critiek op de Literaire Beweging van '80 in Holland II. Mevr. Holst's Rousseau (Literair-critisch beschouwd) III. Mevr. Holst's Rousseau. (Beschouwing der critische en psychologisch-biographische opvattingen) IV. Conclusies Vertalingen, behoorend bij "Het Historisch-Materialisme in de Lit. Critiek" II. DIDACTISCH. I. _Voorwoord_ II. _Hoe Literaire kunst gelezen en genoten moet worden_ III. Over Multatuli en zijn _Geschiedenis van Woutertje Pieterse_ IV. _De Historie van Mejuffrouw Sara Burgerhart_ van Wolff en Deken V. Johan de Meester's _Geertje_ End of the Project Gutenberg EBook of Over literatuur, by M.H. Van Campen *** END OF THIS PROJECT GUTENBERG EBOOK OVER LITERATUUR *** ***** This file should be named 17077.txt or 17077.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/7/0/7/17077/ Produced by Marc D'Hooghe Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as
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