current which appears to run through some people and forms between them
an unbounded sympathy, that it actually succeeded in dispelling the
sombre ideas which then possessed his soul.
Their similarity of tastes, and at the same time those differences of
character which are so essential to the development of the intellect of
two sympathetic minds, were admirably adapted to form the charm which
existed in their relations with one another.
This sympathy, however, would never have found a place in the mind of
Lord Byron had it not sprung from his heart. Amiability was essential in
his friends before he could love them; and though Moore had not that
quality in its highest degree, still he had it sufficiently for Lord
Byron to say in one of his notes, "I have received the most amiable
letter possible from Moore. I really think him the most kind-hearted man
I ever met. Besides which, his talents are equal to his sentiments."
His sympathy for Moore was such that the mention of his name was enough
to awaken his spirits and give him joy. This is palpable in his letters
to Moore, which are masterpieces of talent.
His cordial friendship for Moore was never once affected by the series
of triumphs which followed its formation, and which made the whole world
bow before his genius. "The new scenes which opened before him with his
successes," says Moore, "far from detaching us from one another,
multiplied, on the contrary, the opportunities of meeting each other,
and thereby strengthening our intimacy."
This excessive liking for Moore was kept up by all the force which
constancy lends to affection. One of Byron's most remarkable qualities
was great constancy in his likes, tastes, and a particular attachment to
the recollections of his childhood. At the age of fifteen, Moore's
"Melodies" already delighted him. "I have just been looking over Little
Moore's Melodies, which I knew by heart at fifteen." In 1803 he wrote
from Ravenna: "Hum! I really believe that all the bad things I ever
wrote or did are attributable to that rascally book."
We have seen that at Southwell he used even to ask Miss Chaworth and
Miss Pigott to sing him songs of Moore. At Cambridge, what reconciled
him to leaving Harrow were the hours which he spent with his beloved
Edward Long, with whom he used to read Moore's poetry after having
listened to Long's music.
He already then had a sympathy for Moore, and a wish to know him. The
latter's place was ther
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