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ch Byron always spoke of Walter Scott. "He never wearied of his praise of 'Waverley,' and continually quoted passages from it." May we be allowed to observe, in conclusion, that such a generous desire on the part of Byron constantly to put forward the merits of Scott deserved from the latter a warmer acknowledgment. The homage paid to his memory by Scott came late, and is cold. Be it from a Tory or Protestant spirit, Scott in his eulogy of Lord Byron did not disclaim openly the calumnies uttered against the great poet's fame, but almost sided with his hypocritical apologists, by assuming a kind of tone of indulgence in speaking of him. ROGERS. Rogers comes next in the triangular order. Byron's esteem for Rogers was such, that not only did he spare him in his famous satire, but even addressed him a real compliment in the lines:-- "And thou, melodious Rogers! rise at last, Recall the pleasing memory of the past; Arise! let blest remembrance still inspire, And strike to wonted tones thy hallow'd lyre; Restore Apollo to his vacant throne, Assert thy country's honor and thine own." He equally declared that, after the "Essay on Man" of Pope, the "Pleasures of Memory" constituted the finest English didactic poem. This opinion he maintained always. "I have read again the 'Pleasures of Memory,'" he wrote in September, 1813. "The elegance of this poem is quite marvellous. Not a vulgar line throughout the whole book." About the same time he read, in the "Edinburgh Review," a eulogy of Rogers. "He is placed very high," he exclaimed, "but not higher than he has a right to be. There is a summary review of every body. Moore and I included: we were both--he justly--praised; but both very justly ranked under Rogers. At another time he wrote in his memoranda: "When he does talk (Rogers), on all subjects of taste, his delicacy of expression is as pure as his poetry. If you enter his house, his drawing-room, his library, you involuntarily say, 'This is not the dwelling of a common mind.' There is not a gem, a coin, a book, thrown aside on his chimney-piece, his sofa, his table, that does not bespeak an almost fastidious elegance in the possessor. But this very delicacy must be the misery of his existence. Oh! the jarrings this disposition must have encountered through life!" On one occasion he borrows one of Rogers's ideas, to write upon it the "Bride of Abydos;" and in confessing that the "Pleasur
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