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ted atmosphere of jealous rivalry, contrived wholly to escape its effects? This right I claim for Lord Byron, that he was the least jealous of any man, as the proofs which I shall bring forward will abundantly attest. If Byron was jealous of the living, of whom could he have been so? Of course of such who may have become his rivals in the sphere of literature which he had adopted. When Byron appeared in the literary world, those who were most in repute were Sir Walter Scott, Rogers, Moore, Campbell, and the lakers Southey, Wordsworth, Coleridge, and, later, Shelley. On one occasion, in 1813, Byron amused himself by tracing what he called a "triangular gradus ad Parnassum," in which the names of the principal poets then in renown are thus classified:-- SIR W. SCOTT, ROGERS, MORRE, CAMPBELL, SOUTHEY, WORDSWORTH, COLERIDGE, THE MANY To know best his feelings with respect to his rivals, we must listen to himself; and to preserve the order given in the triangle, let us begin by Walter Scott. We read in Byron's memorandum of the 17th of September, 1813:-- "George Ellis and Murray have been talking something about Scott and me, George _pro_ Scoto--and very right too. If they want to depose him, I only wish they would not set me up as a competitor. Even if I had my choice, I would rather be the Earl of Warwick than all the kings he ever made! Jeffrey and Gifford I take to be the monarch-makers in poetry and prose. I like Scott--and admire his works to what Mr. Braham calls Entusymusy. All such stuff can only vex him, and do me no good." And elsewhere: "I have not answered W. Scott's last letter, but I will. I regret to hear from others that he has lately been unfortunate in pecuniary involvements. He is undoubtedly the Monarch of Parnassus, and the most English of bards." When these expressions were written, Byron did not know Scott personally; but notwithstanding his satire, of which he had often made a generous retractation, he had always felt a great sympathy for Scott, who, on the other hand, appeared to have forgotten the wound inflicted by Byron's youthful pen, only to remember the latter's heartfelt praises. A few years after the publication of "English Bards" and just after that of "Childe Harold," Byron and Sir W. Scott manifested a mutual desire to make each other's acquaintance through the medium of Murray, who was then travelling in Scotland. An exchange of letters
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