ted
atmosphere of jealous rivalry, contrived wholly to escape its effects?
This right I claim for Lord Byron, that he was the least jealous of any
man, as the proofs which I shall bring forward will abundantly attest.
If Byron was jealous of the living, of whom could he have been so? Of
course of such who may have become his rivals in the sphere of
literature which he had adopted. When Byron appeared in the literary
world, those who were most in repute were Sir Walter Scott, Rogers,
Moore, Campbell, and the lakers Southey, Wordsworth, Coleridge, and,
later, Shelley.
On one occasion, in 1813, Byron amused himself by tracing what he called
a "triangular gradus ad Parnassum," in which the names of the principal
poets then in renown are thus classified:--
SIR W. SCOTT,
ROGERS,
MORRE, CAMPBELL,
SOUTHEY, WORDSWORTH, COLERIDGE,
THE MANY
To know best his feelings with respect to his rivals, we must listen to
himself; and to preserve the order given in the triangle, let us begin
by Walter Scott. We read in Byron's memorandum of the 17th of September,
1813:--
"George Ellis and Murray have been talking something about Scott and me,
George _pro_ Scoto--and very right too. If they want to depose him, I
only wish they would not set me up as a competitor. Even if I had my
choice, I would rather be the Earl of Warwick than all the kings he ever
made! Jeffrey and Gifford I take to be the monarch-makers in poetry and
prose. I like Scott--and admire his works to what Mr. Braham calls
Entusymusy. All such stuff can only vex him, and do me no good."
And elsewhere: "I have not answered W. Scott's last letter, but I will.
I regret to hear from others that he has lately been unfortunate in
pecuniary involvements. He is undoubtedly the Monarch of Parnassus, and
the most English of bards."
When these expressions were written, Byron did not know Scott
personally; but notwithstanding his satire, of which he had often made a
generous retractation, he had always felt a great sympathy for Scott,
who, on the other hand, appeared to have forgotten the wound inflicted
by Byron's youthful pen, only to remember the latter's heartfelt
praises.
A few years after the publication of "English Bards" and just after that
of "Childe Harold," Byron and Sir W. Scott manifested a mutual desire to
make each other's acquaintance through the medium of Murray, who was
then travelling in Scotland. An exchange of letters
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