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ng of the Academy separates, as the whole idea of the country separates, the notion of art-education from other education, and when you have made that one fundamental mistake, all others follow. You teach a young man to manage his chalk and his brush--not always that--but having done that, you suppose you have made a painter of him; whereas to educate a painter is the same thing as to educate a clergyman or a physician--you must give him a liberal education primarily, and that must be connected with the kind of learning peculiarly fit for his profession. That error is partly owing to our excessively vulgar and excessively shallow English idea that the artist's profession is not, and cannot be, a liberal one. We respect a physician, and call him a gentleman, because he can give us a purge and clean out our stomachs; but we do not call an artist a gentleman, whom we expect to invent for us the face of Christ. When we have made that primary mistake, all other mistakes in education are trivial in comparison. The very notion of an art academy should be, a body of teachers of the youth who are to be the guides of the nation through its senses; and that is a very important means of guiding it. We have done a good deal through dinners, but we may some day do a good deal more through pictures. You would have a more comprehensive system of teaching?--Much more comprehensive. 173. Do I rightly understand you that you would wish it to embrace branches of liberal education in general, and not be merely confined to specific artistic studies?--Certainly. I would have the Academy education corresponding wholly to the university education. The schools of the country ought to teach the boy the first conditions of manipulation. He should come up, I say not at what age, but probably at about fourteen or fifteen, to the central university of art, wherever that was established; and then, while he was taught to paint and to carve and to work in metal--just as in old times he would have been taught to manage the sword and lance, they being the principal business of his life,--during the years from fifteen to twenty, the chief attention of his governors should be to make a gentleman of him in the highest sense; and to give him an exceedingly broad and liberal education, which should enable him not only to work nobly, but to conceive nobly. 174. As to the point, however, of artistic manipulation, is not it the fact that many great painter
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