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se palace has been the principal material from which recent searchers for the picturesque in Venice compose pictures of the Grand Canal. It forms the square mass of architecture on the left, in the continually repeated view of the Church of the Salute seen from the steps of the Academy. The genealogy of the family, from the thirteenth century, when they first appeared in Italy, to the founder of this Venetian lordship, had better be set before the reader in one view.[11] GIOVANNI, Condottiere in service of the Visconti, 1274. | NICOLA, Condottiere, 1297. | FEDERICO, Podesta of Vicenza under the Scaligers, 1331. | CONRADO, Condottiere, 1350. | |--------------+-------------| FEDERIGO, JACOPO, NICOLA, | |---------+----------+----------+----------| NICOLA, GIOVANNI, CONRADO, FEDERIGO, GIORGIO. Founds Venetian family. 227. Now, as above stated, I believe that the fresco of the three knights was commanded by the Podesta of Vicenza, on his receiving that authority from the Scaligers in 1331, and that it represents Giovanni, Nicola, and himself; while the tomb of Federigo and Nicola would be ordered by the Venetian Cavallis, and completed without much care for the record of the rise of the family at Verona. Whether my identification of the figures seen kneeling in the fresco be correct or not, the representation of these three Cavalli knights to the Madonna, each interceded for by his patron saint, will be found to receive a peculiar significance if the reader care to review the circumstances influencing the relation of the German chivalry to the power of the Church in the very year when Giovanni Cavalli entered the ranks of the Visconti. 228. For the three preceding centuries, Milan, the oldest archbishopric of Lombardy, had been the central point at which the collision between the secular and ecclesiastical power took place in Europe. The Guelph and Ghibelline naturally met and warred throughout the plain of Lombardy; but the intense civic stubbornness and courage of the Milanese population formed a kind of rock in their tide-way, where the quarrel of burgher with noble confused itself with,
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