ceded in each case by the (italicized) statement or
expression: giving rise to them:--

(1) P. 73. "_The peculiar characteristic of the Byzantine churches
is the dome._" "Form derived first from the Catacombs. See Lord
Lindsay."

(2) P. 89. "_The octagon baptistry at Florence, ascribed to Lombard
kings...._" "No; it is Etruscan work of pure descent."

(3) _Id._ "_S. Michele, of Pavia, pure Lombard of seventh century,
rebuilt in tenth._" "Churches were often rebuilt with their
original sculptures. I believe many in this church to be Lombard.
See next page."

(4) P. 95. "_The revolution begun by Rafaelle has ended in the
vulgar painting, the sentimental prints, and the colored
statuettes, which have made the religious art of the nineteenth
century a by-word for its feebleness on the one side, its
superstition on the other._" "Excellent; but my good scholar has
not distinguished vulgar from non-vulgar naturalism. Perhaps she
will as I read on."

[Compare the last note in the book, pp. 487-8, where Miss Owen's
statement that "_the cause of Rafaelle's popularity ... has been
that predominance of exaggerated dramatic representation, which in
his pictures is visible above all moral and spiritual qualities,_"
is noted to be "Intensely and accurately true."]

(5) P. 108. "_It may be ... it is scarcely credible._" "What does
it matter what may be or what is scarcely credible? I hope the
reader will consider what a waste of time the thinking of things is
when we can never rightly know them."

(6) P. 109. On the statement that "_no vital school of art has ever
existed save as the expression of the vital and unquestioned faith
of a people,_" followed by some remarks on external helps to
devotion, there is a note at the word "people." "Down to this line
this page is unquestionably and entirely true. I do not answer for
the rest of the clause, but do not dispute it."

(7) P. 113. _S. Michele at Lucca._ "The church is now only a modern
architect's copy."

(8) P. 129. "_There is a good model of this pulpit_" (Niccola's in
the Pisan Baptistry) "_in the Kensington Museum, through which we
may learn much of the rise of Gothic sculpture._" "You cannot do
anything of the kind. Pisan sculpture can only be studied in the
original marble; hal