ishes
possible, miraculous enough in any pilchard or herring shoal, gathered
into companionable catchableness;--which makes, in fine, so many Nations
possible, and Saxon and Norman beyond the rest.
215. And finally, the accomplished phase of needlework, the _Acu
Tetigisti_ of all time, which does, indeed, practically exhibit what
mediaeval theologists vainly tried to conclude inductively--How many
angels can stand on a needle-point. To show the essential nature of a
stitch--drawing the separate into the inseparable, from the lowly work
of duly restricted sutor, and modestly installed cobbler, to the
needle-Scripture of Matilda, the Queen.
All the acicular Art of Nations, savage and civilized, from Lapland
boot, letting in no snow-water--to Turkey cushion bossed with pearl--to
valance of Venice gold in needlework -to the counterpanes and samplers
of our own lovely ancestresses, imitable, perhaps, once more, with good
help from Whiteland's College--and Girton.
216. It was but yesterday, my own womankind were in much wholesome and
sweet excitement delightful to behold, in the practice of some new
device of remedy for rents (to think how much of evil there is in the
two senses of that four-lettered word! as in the two methods of
intonation of its synonym tear!) whereby they might be daintily effaced,
and with a newness which would never make them worse. The process began
beautifully, even to my uninformed eyes, in the likeness of herring-bone
masonry, crimson on white, but it seemed to me marvelous that anything
should yet be discoverable in needle process, and that of so utilitarian
character.
All that is reasonable, I say of such work is to be in our first museum
room. All that Athena and Penelope would approve. Nothing that vanity
has invented for change, or folly loved for costliness; but all that can
bring honest pride into homely life, and give security to health--and
honor to beauty.
J. RUSKIN.
FOOTNOTES:
[Footnote 4: These letters are reprinted from the _Art Journal_ of June
and August 1880, where they were prefaced with the following note by the
editor in explanation of their origin:--"We are enabled, through Mr.
Ruskin's kindness, to publish this month a series of letters to a friend
upon the functions and formation of a model Museum or Picture Gallery.
As stated in our last issue the question arose thus:--At the
distribution of the prizes to the School of Art at Leicester by Mr. J.
D. Linton
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