FREE BOOKS

Author's List




PREV.   NEXT  
|<   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175  
176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   >>   >|  
ve where the water is but a short distance from the mouth, and the passage is wide, it shows the difficulty, without any knowledge of the use of instruments, of fixing on the surface the precise point over the water in the other caves, which have long, narrow, and winding passages. In the yards of some houses on a street at the rear of the casa real were the remains of large mounds. In the wall round the square of the church was a large circular upright stone, like those heretofore called picotes, or whipping-posts, and our guide told us that in the suburbs there were other mounds; but, without leaving the streets, we saw enough to satisfy us that Mani stood on the site of an ancient town of the same general character with all the others. Returning to the casa real, we found a new guarda, who came into office rather more intoxicated than their predecessors in going out. Albino had inquired of the cacique for the ancient relics of which we had heard accounts, and the Indians brought a copy of Cogolludo, wrapped up and treasured with great care in the casa real. This did not astonish us much, and they opened the book and pointed out a picture, the only one in it, being a representation of the murder of the ambassadors of Tutul Xiu; and while we were looking at it they brought out and unrolled on the floor an old painting on cotton cloth, being the original from which Cogolludo had the engraving made. The design was a coat of arms bordered with the heads of the murdered ambassadors, one of which has an arrow fixed in the temple, intended to represent the ambassador who had his eyes put out with this weapon. In the centre is a tree growing out of a box, representing the sapote tree at Zotuta, under which the murder was committed, and which, the Indians say, is still standing. This tree I shall have occasion to mention again hereafter. The painting had evidently been executed by an Indian, and probably very near the time of the occurrence which it was intended to commemorate. Cogolludo refers to it as an ancient and interesting relic in his time, and, of course, it is much more so now. It is an object of great reverence among the Indians of Mani. In fact, throughout our whole journeyings, either in Central America or Yucatan, it was the first and only instance in which we met with any memorial in the hands of the Indians, tending to keep alive the memory of any event in their history; but this must not be imputed to them
PREV.   NEXT  
|<   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175  
176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   >>   >|  



Top keywords:

Indians

 

Cogolludo

 
ancient
 
brought
 

painting

 
ambassadors
 

intended

 
murder
 
mounds
 

representing


growing
 
difficulty
 

weapon

 

centre

 
sapote
 

Zotuta

 
occasion
 

mention

 

standing

 

committed


represent

 

design

 

engraving

 

original

 

surface

 

cotton

 

bordered

 

temple

 
fixing
 

ambassador


murdered

 
instruments
 

instance

 

memorial

 

Yucatan

 

America

 

journeyings

 

Central

 

tending

 

imputed


history

 

memory

 

knowledge

 

occurrence

 

commemorate

 
executed
 
Indian
 

refers

 

object

 

reverence