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nly we are certain of, and that is, that he sailed for England in the pirate schooner, and seemed by no means to regret the escape of the pirate captain! Years rolled away. The head of Gascoyne became silvery white, but Time seemed impotent to subdue the vigour of his stalwart frame, or destroy the music of his deep bass voice. He was the idol of numerous grandchildren as well as of a large circle of juveniles, who, without regard to whether they had or had not a right to do so, styled him "Grandfather." Little did these youngsters think, as they clambered over his huge frame, and listened with breathless attention to his wild stories of the sea, that "grandfather" had once been the celebrated and much-dreaded Durward, the pirate! Nothing would induce Gascoyne to take a prominent part in the public affairs of his chosen home; but he did attempt to teach a class of the very smallest boys and girls in the missionary's Sunday school, and he came, in time, to take special delight in this work. He was never so happy as when telling to these little ones the story of redeeming love. In the choice of subjects for his class, he was somewhat peculiar as well as in his manner of treating them. He was particularly emphatic and earnest, used to fill his little hearers with awe, when he spoke of the danger of sin and the importance of resisting its beginnings. But his two favourite themes of all--and those which dwelt most frequently on his lips--were, "God is Love," and, "Love is the fulfilling of the law." THE END. End of the Project Gutenberg EBook of Gascoyne, the Sandal-Wood Trader, by R.M. Ballantyne *** END OF THIS PROJECT GUTENBERG EBOOK GASCOYNE, THE SANDAL-WOOD TRADER *** ***** This file should be named 23384.txt or 23384.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/3/8/23384/ Produced by Nick Hodson of London, England Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJE
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