ities.

The works from which material has been most freely drawn are as follows:
Bernard's "Retrospection of the Stage"; Dr. Burney's various histories
of music; Chorley's "Thirty Years' Musical Recollections"; Dibdin's
"Complete History of the English Stage"; Ebers's "Seven Years of the
King's Theatre"; Fetis's "Biographie des Musiciens"; Hogarth's "Musical
Drama"; Sutherland Edwards's "History of the Opera"; Arsene Houssaye's
"Galerie des Portraits"; Michael Kelly's "Reminiscences"; Lord Mount
Edgcumbe's "Musical Reminiscences"; Oxberry's "Dramatic Biography and
Histrionic Anecdotes"; Mrs. Clayton's "Queens of Song"; Arthur Simpson's
"Memoirs of Catalani"; and Grove's "Dictionary of Music and Musicians."

CONTENTS.

FAUSTINA BORDONI.

The Art-Battles of Handel's Time.--The Feud between Cuzzoni
and Faustina.--The Character of the Two Rivals as Women and
Artists.--Faustina's Career.--Her Marriage with Adolph Hasse, and
something about the Composer's Music.--Their Dresden Life.--Cuzzoni's
Latter Years.--Sketch of the Great Singer Farinelli.--The Old Age of
Hasse and Faustina

CATARINA GABRIELLI.

The Cardinal and the Daughter of the Cook.--The Young Prima Donna's
_Debut_ in Lucca.--Dr. Burney's Description of Gabrielli.--Her
Caprices, Extravagances, and Meeting with Metastasio.--Her Adventures
in Vienna.--Bry-done on Gabrielli.--Episodes of her Career in Sicily
and Parma.--She sings at the Court of Catharine of Russia.--Sketches
ol Caffarelli and Pacchierotti.--Gabrielli in London, and her Final
Retirement from Art

SOPHIE ARNOULD.

The French Stage as seen by Rousseau.--Intellectual Ferment of the
Period.--Sophie Arnould, the Queen of the most Brilliant of Paris
Salons.--Her Early Life and Connection with Comte de Lauraguais.--Her
Reputation as the Wittiest Woman of the Age.--Art Association with the
Great German Composer, Gluck.--The Rivalries and Dissensions of the
Period.--Sophie's Rivals and Contemporaries, Madame St. Huberty,
the Vestrises Father and Son, Madelaine Guimard.--Opera during the
Revolution.--The Closing Days of Sophie Arnould's Life.--Lord Mount
Edgcumbe's Opinion of her as an Artist

ELIZABETH BILLINGTON AND HER CONTEMPORARIES.

Elizabeth Weichsel's Runaway Marriage.--__Debut__ at Covent
Garden.--Lord Mount Edgcumbe's Opinion of her Singing.--Her Rivalry with
Mme. Mara.--Mrs. Billington's Greatness in English Opera.--She sings in
Italy in 1794-'99.--Her Great Power on the Ita