rsonal loveliness and charm of
voice; and, though her fame as a coquette and an artist had preceded
her, she met with an indifference that was almost languor. The young
Englishmen of the period, though quick to draw blade as any gallants in
Europe, did not feel inspired to fight for her smiles, as had been the
case with their compeers in the Continental cities, which rang with the
scandals, controversies, and duels engendered by her numerous conquests.
This sort of social stimulus had become necessary from long use as
an ally of professional effort; and, lacking it, Gabrielli became
insufferably indolent and careless. She would not take the least trouble
to please fastidious London audiences, then as now the most exacting in
Europe. She chose to remain sick on occasions which should have drawn
forth her finest efforts, and frequently sent her sister Francesca to
fill her great parts. One night her manager, mistrusting her excuses of
illness, proceeded to her apartments, and found them ablaze with light
and filled with a large company of gay and riotous revelers. Of course
this condition of affairs could not long be endured. Stung by the slight
appreciation of her talents in England, and not choosing to endure the
want of patience which made the public grumble when she chose to sing
badly or not at all, she quitted England after a very brief stay. Lord
Mount Edgcumbe saw her in the opera of "Didone," and avows bluntly that
he could see nothing more of her acting than that she took the greatest
possible care of her enormous hoop when she sidled out of the flames of
Carthage. Dr. Burney, on the other hand, is a more chivalrous critic, or
else he was unduly impressed with the lady's charms; for she appeared to
him "the most intelligent and best-bred _virtuoso_ with whom he had
ever conversed, not only on the subject of music, but on every subject
concerning which a well-educated female, who had seen the world, might
be expected to have information." Furthermore, he extols the precision
and accuracy of her execution and intonation, and the thrilling quality
of her voice.

Brydone, who appears to have been fascinated with this siren, has an
amusing apology for her carelessness of her duties in England, which he
insists was not caprice, but inability to sing. He says: "And this I can
readily believe, for that wonderful flexibility of voice, that runs
with such rapidity and neatness through the most minute divisions, and
produc