r voice, though limited in range and not very flexible,
was singularly rich, strong, and sweet, fitting her exceptionally for
the performance of the simple and noble arias of Gluck, which were
rather characterized by elevation and dramatic warmth than florid
ornamentation. Her place in art is, therefore, as the finest
contemporary interpreter of Wagner's greater predecessor.

ELIZABETH BILLINGTON AND HER CONTEMPORARIES.

Elizabeth Weichsel's Runaway Marriage.--_Debut_ at Covent Garden.--Lord
Mount Edgcumbe's Opinion of her Singing.--Her Rivalry with Mme.
Mara.--Mrs. Billington's Greatness in English Opera.--She sings in Italy
in 1794-'99.--Her Great Power on the Italian Stage.--Marriage with
Felican.--Reappearance in London in Italian and English Opera.--Sketch
of Mme. Mara's Early Lite.--Her Great Triumphs on the English
Stage.--Anecdotes of her Career and her Retirement from
England.--Grassini and Napoleon.--The Italian Prima Donna disputes
Sovereignty with Mrs. Billington.--Her Qualities as an Artist.--Mrs.
Billington's Retirement from the Stage and Declining Years.

I.

Among the comparatively few great vocalists born in England, the
traditions of Mrs. Elizabeth Billington's singing rank her as by far
the greatest. Brought into competition with many brilliant artists from
other countries, she held her position unshaken by their rivalry. She
came of musical stock. Her father, Charles Weichsel, was Saxon by birth,
but spent most of his life as an orchestral player in London; and her
mother was a charming vocalist of considerable repute. Born in 1770 in
the English capital, she was most carefully trained in music from an
early age, and her gifts displayed themselves so manifestly as to give
assurance of that brilliant future which made her the admiration of her
times. Both she and her brother Charles were regarded as prodigies of
youthful talent, the latter having attained some distinction on the
violin at the age of six, though he failed in after-years, unlike his
brilliant sister, to fulfill his juvenile promise. Elizabeth Weichsel
when only eleven composed original pieces for the piano, and at the age
of fourteen appeared in concert at Oxford. Her career was so long
and eventful that we must hurry over its youthful stages. The young
cantatrice at the age of fifteen was sought in marriage by Mr. Thomas
Billington, who had been her music-master, and, as her father was
bitterly opposed to the connection, th