FREE BOOKS

Author's List




PREV.   NEXT  
|<   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58  
59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   >>   >|  
troversy, first between the adherents of Lulli and Rameau, then between those of Gluck and Piccini. The young gallants of the day were wont to occupy part of the stage itself and criticise the performance of the opera; and often they adjourned from the theatre to the dueling-ground to settle a difficulty too hard for their wits to unravel. The intense interest appertaining to all things connected with music and the theatre noticeable in the French of to-day, was tenfold as eager a century ago. Passionate curiosity, even extending to enthusiasm, with which that worn-out and utterly corrupt society, by some subtile contradiction, threw itself into all questions concerning philosophy, science, literature, and art, found its most characteristic expression in its relation to the music of the stage. It was at this strange and picturesque period, when everything in politics, society, literature, and art was fermenting for the terrible Hecate's brew which the French world was soon to drink to the dregs, that there appeared on the stage one of the most remarkable figures in its history, a woman of great beauty and brilliancy, as well as an artist of unique genius--Sophie Arnould. Her name is lustrous in French memoirs for the splendor of her wit and conversational talent; and Arsene Houssaye has thought it worthy to preserve her _bon-mots_ in a volume of table-talk, called "Arnouldiana," which will compare with anything of its kind in the French language. For a dozen years prior to the Revolution Sophie Arnould was a queen of society as well as of art; and in her elegant _salon_, which was a museum of art _curios_ and bric-a-brac, she held a brilliant court, where men of the highest distinction, both native and foreign, were proud to pay their homage at the shrine of beauty and genius. There might be seen D'Alembert, the learned and scholarly, rough and independent in manner, who deserted the drawing-rooms of the great for saloons where he could move at his ease. There, also, Diderot would often delight his circle of admirers by the fluency and richness of his conversation, his friends extolling his disinterestedness and honesty, his enemies whispering about his cunning and selfishness. The novelist Duclos, with his keen power of penetrating human character, would move leisurely through the throng, picking up material for his romances; and Mably would talk politics and drop ill-natured remarks. The learned metaphysician Helveti
PREV.   NEXT  
|<   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58  
59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   >>   >|  



Top keywords:

French

 
society
 

politics

 
learned
 

Arnould

 

Sophie

 
beauty
 

genius

 

literature

 

theatre


foreign

 
native
 

highest

 

Rameau

 

distinction

 

shrine

 

Alembert

 
adherents
 

scholarly

 

brilliant


homage

 

compare

 

language

 

Arnouldiana

 

called

 
volume
 
curios
 

museum

 
elegant
 

Revolution


independent
 

deserted

 

penetrating

 

character

 
leisurely
 

cunning

 

selfishness

 

novelist

 
Duclos
 

throng


picking

 
natured
 

remarks

 

metaphysician

 

Helveti

 
material
 

romances

 
whispering
 

Diderot

 

saloons