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d while speaking with women he used the speech of Herat. (P. 555). That Thaalibi knew the correct distinction between Pahlavi and Persian can be seen from the fact that he says at p. 633 of his history with reference to the book of _Kalileh wa Dimna_ as follows:--When Burzuyeh arrived at the court and presented himself before Anushirwan he recounted to him what had happened to him and announced to him as a happy event that he was in possession of the book. Then he made a present of it to the king. (Anushirwan was charmed with it and he gave the order to translate the book into Pahlavi.) Burzuyeh requested and got from the king the permission to place at the head of the first chapter the king's name, and a notice of his life. And the book remained carefully guarded with the kings of Persia until Ibn Muquaffa translated it into Arabic and Rudaki at the command of Amir Nasr Ibn Ahmad turned it into Persian verse. Reference to _Kitab al Ain_. (P. 14.) Reference to the murder and burial of the last Sasanian king, (P. 748.) ***END OF THE PROJECT GUTENBERG EBOOK IRANIAN INFLUENCE ON MOSLEM LITERATURE, PART I*** ******* This file should be named 12918.txt or 12918.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.net/1/2/9/1/12918 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FU
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