ont of my own sex. Happy days, when my father, when you,
when Arabella will vie in your calls on my filial respect, my confiding
love, my watchful friendship. Happy days! But, alas! They are still far
distant in the future. And perhaps even the future knows nothing of
them, perhaps they exist only in my own desire for happiness!
Sensations, Mellefont, sensations which I never before experienced,
turn my eyes to another prospect. A dark prospect, with awful shadows!
What sensations are these? (_puts her hand before her face_.)

MELLEFONT.

What sudden change from exultation to terror! Hasten, Betty! Bring
help! What ails you, generous Sara! Divine soul! Why does this jealous
hand (_moving it away_) hide these sweet looks from me? Ah, they are
looks which unwillingly betray cruel pain. And yet this hand is jealous
to hide these looks from me. Shall I not share your pain with you?
Unhappy man, that I can only share it--that I may not feel it alone!
Hasten, Betty!

BETTY.

Whither shall I hasten?

MELLEFONT.

You see, and yet ask? For help!

SARA.

Stay. It passes over. I will not frighten you again, Mellefont.

MELLEFONT.

What has happened to her, Betty? These are not merely the results of a
swoon.

Scene V.

Norton, Mellefont, Sara, Betty.

MELLEFONT.

You are back again already, Norton? That is well! You will be of more
use here.

NORTON.

Marwood is gone----

MELLEFONT.

And my curses follow her! She is gone? Whither? May misfortune and
death, and, were it possible, a whole hell lie in her path! May Heaven
thunder a consuming fire upon her, may the earth burst open under her,
and swallow the greatest of female monsters!

NORTON.

As soon as she returned to her lodgings, she threw herself into her
carriage, together with Arabella and her maid, and hurried away, at
full gallop. This sealed note was left behind for you.

MELLEFONT (_taking the note_).

It is addressed to me. Shall I read it, Sara?

SARA.

When you are calmer, Mellefont.

MELLEFONT.

Calmer? Can I be calme