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observed at a distance by some friends of Milton, and they explained to him the whole silent adventure. Milton on opening the paper read _four verses_ from Guarini, addressed to those "human stars," his own eyes! On this romantic adventure, Milton set off for Italy, to discover the fair "incognita," to which undiscovered lady we are told we stand indebted for the most impassioned touches in the Paradise Lost! We know how Milton passed his time in Italy, with Dati, and Gaddi, and Frescobaldi, and other literary friends, amidst its academies, and often busied in book-collecting. Had Milton's tour in Italy been an adventure of knight-errantry, to discover a lady whom he had never seen, at least he had not the merit of going out of the direct road to Florence and Rome, nor of having once alluded to this _Dame de ses pensees_, in his letters or inquiries among his friends, who would have thought themselves fortunate to have introduced so poetical an adventure in the numerous _canzoni_ they showered on our youthful poet. This _historiette_, scarcely fitted for a novel, first appeared where generally Steevens's literary amusements were carried on, in the _General Evening Post_, or the _St. James's Chronicle_: and Mr. Todd, in the improved edition of Milton's Life, obtained this spurious original, where the reader may find it; but the more curious part of the story remains to be told. Mr. Todd proceeds, "The preceding highly-coloured relation, however, is _not singular_; my friend, Mr. Walker, points out to me a counterpart in the extract from the preface to _Poesies de Marguerite-Eleanore Clotilde, depuis Madame de Surville, Poete Francois du XV. Siecle. Paris, 1803_." And true enough we find among "the family traditions" of the same Clotilde, that Justine de Levis, great-grandmother of this unknown poetess of the fifteenth century, walking in a forest, witnessed the same beautiful _spectacle_ which the Italian Unknown had at Cambridge; never was such an impression to be effaced, and she could not avoid leaving her tablets by the side of the beautiful sleeper, declaring her passion in her tablets by _four Italian verses_! The very number our Milton had meted to him! Oh! these _four_ verses! they are as fatal in their _number_ as the _date_ of Peele's letter proved to George Steevens! Something still escapes in the most ingenious fabrication which serves to decompose the materials. It is well our veracious historian dropped
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