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t broadly, boldly, and on the most liberal lines by those who are responsible for London's welfare. During the first half of the nineteenth century the economists will tell one that England's commercial industries stagnated, but perhaps the prodigious leaps which it was taking in the new competitive forces of the new world made this theory into a condition. In general, however, the tastes of the people were improving, and with the freedom of the newspaper press, and the spread of general literature, there came a desire for many elegancies and refinements hitherto disregarded. The foundation of the British Museum in 1750, by the purchase of the library and collection of Sir Hans Sloane, and Montagu House, gave an early impetus to the movement, which was again furthered when, in 1801, George III. presented a collection of Egyptian antiquities, and in 1805 and 1806 were purchased the Townley and Elgin marbles respectively. The Museum continued to increase until, in 1823, when George IV. presented his father's library of sixty-five thousand volumes, Montagu House was found to be quite inadequate for its purpose, and the present building, designed by Sir Robert Smirke, and completed in 1827, was erected on its site. In making this gift, the king said, "for the purpose of advancing the literature of his country, and as a just tribute to the memory of a parent whose life was adorned with every public and private virtue." The magnificent reading-room was not constructed until 1855-57, but it became a "felt want" from the time when George IV. made his valuable presentation to the Museum. The great "reading age" was then only in its infancy. Early in 1830 George IV. fell ill, and on the 25th of June he died. During his regency, although he himself had little to do with the matter, his name was associated with many splendid triumphs, by the marvellous progress of intellect, and by remarkable improvements in the liberal arts. With fine abilities and charming manners, England might have been proud of such a king, but he squandered his talents for his own gratification; alienated himself from all right-minded men; lived a disgraceful life, and died the subject of almost universal contempt. His epitaph has been written thus: "He was a bad son, a bad husband, a bad father, a bad subject, a bad monarch, and a bad friend." The memory of old London is in no way kept more lively than by the numerous City Companies or Guilds. Es
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