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w Punch coming afore our vindow vith his imperence; I prognosticated how it voud be, ven the alderman patronised him last veek by throwing avay a whole shilling upon his fooleries." "You've no taste for fun, Biddy," replied the alderman; at the same time making his daughter and myself a substitute for crutches, by resting a hand upon each shoulder. "I never laid out a shilling better in the whole course of my life. A good laugh beats all the French medicine, and drives the gout out at the great toe. I mean to pension Mr. Punch at a shilling a veek to squeak before my vindow of a Saturday, in preference to paying six guineas for a ~60~~box to hear all that outlandish squeaking at the hopera." "La, pa, how ungenteel!" said Miss Biddy; "I declare you're bringing quite a new-sense to all the square, vat vith your hurdy-gurdy vonien, French true-baw-dears, and barrel organ-grinders, nobody has no peace not at all in the neighbourhood." During this elegant colloquy, the immortal Mr. Punch had reared his chequered theatre upon the pavement opposite, the confederate showman had concealed himself beneath the woollen drapery, and the Italian comedian had just commenced his merry note of preparation by squeaking some of those little snatches of tunes, which act with talismanic power upon the locomotive faculties of all the peripatetics within hearing, attracting everybody to the travelling stage, young and old, gentle and simple; all the crowd seem as if magic chained them to the spot, and each face exhibits as much anxiety, and the mind, no doubt, anticipates as much or more delight, than if they were assembled to see Charles Kemble, Young, and Macready, all three acting in one fine tragedy. There is something so indescribably odd and ridiculous about the whole paraphernalia of Mr. Punch, that we are irresistibly compelled to acknowledge the superiority of the lignum vito Roscius over the histrionic corps of mere flesh and blood. The eccentricity of this immortal personage, his foreign, funny dialogue, the whim and strange conceit exhibited in his wooden drama, the gratuitous display, and the unrestricted laugh he affords--all combine to make Mr. Punch the most popular performer in the world. Of Italian origin, he has been so long domiciled in England, that he may now be considered naturalized by common consent. Indeed, I much question, if a greater misfortune could befall the country, than the removal or suppression of Mr. Punch a
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