e sway of the father or the head of
the family. Kingship was probably hereditary and in some cases
electoral. Kingship was nowhere absolute, but limited by the
will of the people. Most developed ideas of justice, right and
law, were present in the country. Thus Kaegi says, "the hymns
strongly prove how deeply the prominent minds in the people
were persuaded that the eternal ordinances of the rulers of the
world were as inviolable in mental and moral matters as in the
realm of nature, and that every wrong act, even the unconscious,
was punished and the sin expiated."[Footnote ref 2] Thus it is only right
and proper to think that the Aryans had attained a pretty high degree

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[Footnote 1: _The Rigveda_, by Kaegi, 1886 edition, p. 13.]

[Footnote 2: _Ibid_. p. 18.]

16

of civilization, but nowhere was the sincere spirit of the Aryans
more manifested than in religion, which was the most essential and
dominant feature of almost all the hymns, except a few secular
ones. Thus Kaegi says, "The whole significance of the Rigveda
in reference to the general history of religion, as has repeatedly
been pointed out in modern times, rests upon this, that it presents
to us the development of religious conceptions from the earliest
beginnings to the deepest apprehension of the godhead and its
relation to man [Footnote ref 1]."

The Vedic Gods.

The hymns of the @Rg-Veda were almost all composed in
praise of the gods. The social and other materials are of secondary
importance, as these references had only to be mentioned incidentally
in giving vent to their feelings of devotion to the god.
The gods here are however personalities presiding over the diverse
powers of nature or forming their very essence. They have
therefore no definite, systematic and separate characters like the
Greek gods or the gods of the later Indian mythical works, the
Pura@nas. The powers of nature such as the storm, the rain, the
thunder, are closely associated with one another, and the gods
associated with them are also similar in character. The same
epithets are attributed to different gods and it is only in a few
specific qualities that they differ from one another. In the later
mythological compositions of the Pura@nas the gods lost their
character as hypostatic powers of nature, and thus became actual
personalities and characters having their tales of joy and sorrow
like the mort