first concert--namely,
nine years. Then the poverty of his parents and the ambition of his
father found assistance in a stipend from Hungarian noblemen, and he
was sent to Vienna to study. When he was eleven years old, after one of
his concerts, Beethoven kissed him. He survived. Then on to Paris and
duchesses and princesses galore. Here he became a proverb of popularity
as "Le petit Litz"--the French inevitably gave some twist to a foreign
name, then as to-day, when two of their favourite painters are
"Wisthler" and "Seargent."
Liszt's childhood was therefore largely fed upon the embraces and
kisses of rapturous women, even as was the young Mozart's, the
difference being that it became a habit in Liszt's case. Even then he
used to throw money among the gamins, as later he scattered it in how
many directions, with what liberality, and with what princeliness, and
from what a slender purse!
The father and mother had gone to Paris with him; but soon the mother
went back to Austria--she was a German, the father alone being
Hungarian. With his father the lad remained, and found him a severe and
domineering master. But in 1827 he died, leaving his sixteen-year-old
son alone in Paris. That stalwart self-reliance and sense of honour,
which gave nobility to so much of Liszt's character, now showed itself;
he sold his grand piano to pay the debts his father had left him, and
sent for his mother to come to Paris, where he supported her by giving
piano lessons. Then, as later, he found plenty of pupils, the
difference being that then, as not later, he took pay for his lessons,
though not even then from all.
Here he was at sixteen, tall and handsome, and with a face
of winsomeness that never lost its spell over womankind.
Sixteen-year-older that he was, he was a man of great fame, and the
grind of acquiring technic was all passed. Moscheles had already said
of him in print: "Franz Liszt's playing surpasses everything yet heard,
in power and the vanquishing of difficulties." Here he was, then,
young, beautiful, famous, a dazzling musician, and Hungarian. What do
you expect?
It makes small difference what you expect, for the reality was that his
heart was eager for the seclusion of a monastery; his soul pined for
religious excitement only! At fourteen he had begun to rebel against
his nickname, "Le petit Litz." It was with the utmost difficulty that
his father had been able to keep him from making religion his career,
and g
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