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The Project Gutenberg EBook of The Love Affairs of Great Musicians, Volume 2, by Rupert Hughes This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Love Affairs of Great Musicians, Volume 2 Author: Rupert Hughes Release Date: March 3, 2004 [EBook #11419] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK LOVE AFFAIRS OF GREAT MUSICIANS *** Produced by Juliet Sutherland, Harry Jones, Sjaani and PG Distributed Proofreaders THE LOVE AFFAIRS OF GREAT MUSICIANS _By_ RUPERT HUGHES Author of "Contemporary American Composers," "The Musical Guide", etc. _ILLUSTRATED_ VOLUME II. _1903_ CONTENTS CHAPTER I. FRANZ LISZT II. RICHARD WAGNER III. TSCHAIKOVSKI, THE WOMAN-DREADER IV. THE HEART OF A VIOLINIST V. AN OMNIBUS CHAPTER VI. ROBERT SCHUMANN AND CLARA WIECK VII. MUSICIANS AS LOVERS LIST OF ILLUSTRATIONS MISS SMITHSON _Frontispiece_ FRANZ LISZT GEORGE SAND, FROM THE PORTRAIT BY L. COLAMATTA PRINCESS CAROLYNE VON SAYN-WITTGENSTEIN AND CHILD RICHARD WAGNER RICHARD AND COSIMA WAGNER RICHARD WAGNER AT BAYREUTH DESIREE ARTOT LOUIS SPOHR NICOLO PAGANINI HENRIETTA SONTAG MADAME MALIBRAN GEOFFREY RUDEL MARTIN LUTHER AND CATHERINA VON BORA MUZIO CLEMENTI HECTOR BERLIOZ CHARLES GOUNOD GIOACCHINO A. ROSSINI OLYMPE PELISSIER, AS "JUDITH" IN THE PAINTING BY VERNET GIUSEPPE VERDI FRANZ SCHUBERT ROBERT SCHUMANN CLARA WIECK, AT THE AGE OF FOURTEEN CLARA AND ROBERT SCHUMANN CLARA (WIECK) SCHUMANN THE LOVE AFFAIRS OF GREAT MUSICIANS VOLUME II. CHAPTER I. FRANZ LISZT "Liszt, or the Art of Running after Women."--NIETSCHE. Liszt's life was so lengthy and so industriously amorous, that it is possible only to float along over the peaks, to touch only the high points. Why, his letters to the last of his loves alone make up four volumes! And yet, for a life so proverbially given over to flirtations as his, the beginnings were strangely unprophetic. He had reached the mature age of six before he began to study the piano; compared with Mozart, he was an old man before he gave his
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