ouds, if we had but agility to make the arrowy downward journey with
them by the glancing of our eyes, would be infinitely separate, units, an
innumerable flight of single things, and the simple movement of intricate
points.

The long stroke of the raindrop, which is the drop and its path at once,
being our impression of a shower, shows us how certainly our impression
is the effect of the lagging, and not of the haste, of our senses. What
we are apt to call our quick impression is rather our sensibly tardy,
unprepared, surprised, outrun, lightly bewildered sense of things that
flash and fall, wink, and are overpast and renewed, while the gentle eyes
of man hesitate and mingle the beginning with the close. These inexpert
eyes, delicately baffled, detain for an instant the image that puzzles
them, and so dally with the bright progress of a meteor, and part slowly
from the slender course of the already fallen raindrop, whose moments are
not theirs. There seems to be such a difference of instants as invests
all swift movement with mystery in man's eyes, and causes the past, a
moment old, to be written, vanishing, upon the skies.

The visible world is etched and engraved with the signs and records of
our halting apprehension; and the pause between the distant woodman's
stroke with the axe and its sound upon our ears is repeated in the
impressions of our clinging sight. The round wheel dazzles it, and the
stroke of the bird's wing shakes it off like a captivity evaded.
Everywhere the natural haste is impatient of these timid senses; and
their perception, outrun by the shower, shaken by the light, denied by
the shadow, eluded by the distance, makes the lingering picture that is
all our art. One of the most constant causes of all the mystery and
beauty of that art is surely not that we see by flashes, but that nature
flashes on our meditative eyes. There is no need for the impressionist
to make haste, nor would haste avail him, for mobile nature doubles upon
him, and plays with his delays the exquisite game of visibility.

Momently visible in a shower, invisible within the earth, the
ministration of water is so manifest in the coming rain-cloud that the
husbandman is allowed to see the rain of his own land, yet unclaimed in
the arms of the rainy wind. It is an eager lien that he binds the shower
withal, and the grasp of his anxiety is on the coming cloud. His sense
of property takes aim and reckons distance and speed,