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l her boxes were full; Her powder she kept in a Fire Zouave's skull. CHORUS.--Beautifully explaining Southern taste for Northern bones, and proving that an author's bones are sacred in the sight of Southern damsels: Your soft Southern maidens (like nations at large, Who take the dear bones of their authors in charge) Are so literary, they'd far rather scan A Norther's dead bones than the best living man. III. She played the piano; embroidered also, And worked worsted poodles and trees in a row; Made knitting-work slippers that no one could wear, And plastered pomatum all over her hair. CHORUS.--Satisfactorily revealing to the curious fair sex why she used pomatum when Bandoline was in fashion: Though Bandoline surely excels all pomade, The Southern supply couldn't run the blockade; At first it _did_ bring an exorbitant sum, And then contrabandoline straight did become. IV. As Linda was practising "Norma," one day, Her father came in in his usual way; And having first spat on the carpeted floor, Went on to address her as never before: CHORUS.--Showing conclusively why this tender parent had never done so before: On Southern plantations when money is flush Paternal affection comes out with a gush: But when, as in the war times, the cash is _non est_, The Father is lost in the planter distressed. V. "My daughter, my Linda," he tenderly said, "Your mother for several years has been dead; But not until now could I muster the strength To tell you what all must have found out at length." CHORUS.--Casually demonstrating how it must really have been found out at length: The Dixian feminines, true to their sex, To each other's precedents pay their respects; And if there's a secret in any girl's life, They're bound to disclose it before she's a wife. VI. "That you are my child, it were vain to deny; But who was your mother? There, darling, don't cry. The truth must be told, though it harrows me sore, Your ma was an Octoroon slave,--nothing more." CHORUS.--Analytical of morals in the sunny South, and touchingly illustrative of the Institution affected by the Emancipation Proclamation: Your slave is your property, therefore 'tis clear The child of your slave is your chattel fore'er;
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