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whom he stigmatizes as "a philosophical Clytemnestra." He next visited England for the second time, arriving at the end of 1770. During his stay in London, which lasted for seven months, he became involved in an affair which excited an extraordinary sensation at the time, and which is even remembered by the scandal-mongers of the present day. He formed the acquaintance of the wife of an officer of high rank in the Guards, and this intimacy soon assumed a criminal character. Her husband, a man of a very jealous temperament, suspected his wife's infidelity, and had them watched. On finding his suspicions confirmed, he challenged Alfieri, and they fought a duel with swords in the Green Park, in which the future poet was wounded in the arm. The husband pressed for a divorce, and Alfieri announced his intention of marrying the lady as soon as she was free; but, to his horror, she confessed to him one day, what was already known to the public through the newspapers, although he was ignorant of it, that before she knew him she had been engaged in an intrigue with a groom of her husband! Despite this discovery, it was some time before his affection for her abated; but at length, on her announcing her determination to enter a convent in France, he quitted her at Rochester, and left this country himself almost immediately afterwards. He went to Paris, and there bought a collection of the principal Italian poets and prose-writers in thirty-six volumes, which from that time became his inseparable companions, although he did not make much use of them for two or three years. However, he now learned to know at least something of the six great luminaries, Dante, Petrarch, Ariosto, Tasso, Boccaccio, and Machiavelli. He next proceeded to Spain and Portugal. At Lisbon he formed the acquaintance of the Abate Tommaso di Caluso, younger brother of the Sardinian minister. The society of this distinguished man produced the most beneficial effect on him. One evening, when the Abate was reading to him the fine _Ode to Fortune_ of Alessandro Guidi, a poet whose name he had never even heard, some of the stanzas produced such extraordinary transports in him, that the former told him that he was born to write verses. This sudden impulse of Apollo, as he calls it, was however only a momentary flush, which was soon extinguished, and remained buried for a long time to come. He now bent his steps homewards, and reached Turin in May, 1772, after an
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