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y frequently continue to be vain of those which are doubtful. Where mankind have not confirmed their own judgment, they are restless, and continually aim either at convincing others, or themselves, that they are in the right. Hogarth, who invented a new and original manner of satirizing the follies of mankind, was not vain of this talent, but was extremely vain of his historical paintings, which were indifferent performances. Men of acknowledged literary talents, are seldom fond of amateurs; but, if they are but half satisfied of their own superiority, they collect the tribute of applause with avidity, and without discrimination or delicacy. Voltaire has been reproached with treating strangers rudely who went to Ferney, to see and admire a philosopher as a prodigy. Voltaire valued his time more than he did this vulgar admiration; his visiters, whose understanding had not gone through exactly the same process, who had not, probably, been satisfied with public applause, and who set, perhaps, a considerable value upon their own praise, could not comprehend this appearance of indifference to admiration in Voltaire, especially when it was well known that he was not insensible of fame. He was, at an advanced age, exquisitely anxious about the fate of one of his tragedies; and a public coronation at the theatre at Paris, had power to inebriate him at eighty-four. Those who have exhausted the stimulus of wine, may yet be intoxicated by opium. The voice of numbers appears to be sometimes necessary to give delight to those who have been fatigued with the praise of individuals; but this taste for _acclamation_ is extremely dangerous. A multitude of good judges seldom meet together. By a slight difference in their manner of reasoning, two men of abilities, who set out with the same desire for fame, may acquire different habits of pride, or of vanity; the one may value the number, the other may appreciate the judgment of his admirers. There is something not only more wise, but more elevated, in this latter species of select triumph; the noise is not so great; the music is better. "If I listened to the music of praise," says an historian, who obviously was not insensible to its charms, "I was more seriously satisfied with the approbation of my _judges_. The candour of Dr. Robertson embraced his disciple. A letter from Mr. Hume overpaid the labour of ten years."[93] Surely no one can be displeased with this last generous expression
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