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The Project Gutenberg eBook, Wood-Block Printing, by F. Morley Fletcher, Illustrated by A. W. Seaby This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Wood-Block Printing A Description of the Craft of Woodcutting and Colour Printing Based on the Japanese Practice Author: F. Morley Fletcher Release Date: December 26, 2006 [eBook #20195] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK WOOD-BLOCK PRINTING*** E-text prepared by David Clarke, Janet Blenkinship, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net/c/) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 20195-h.htm or 20195-h.zip: (http://www.gutenberg.net/dirs/2/0/1/9/20195/20195-h/20195-h.htm) or (http://www.gutenberg.net/dirs/2/0/1/9/20195/20195-h.zip) Transcriber's note: Inconsistency in spelling and hyphenation is as in the original. The Artistic Crafts Series of Technical Handbooks Edited By W. R. Lethaby WOOD-BLOCK PRINTING A Description of the Craft of Woodcutting & Colour Printing Based on the Japanese Practice by F. MORLEY FLETCHER With Drawings and Illustrations by the Author and A. W. Seaby. Also Collotype Reproductions of Various Examples of Printing, and an Original Print Designed and Cut by the Author Printed by Hand on Japanese Taper [Illustration: Meadowsweet. Collotype reproduction of a woodblock print by the Author. (_Frontispiece_.)] London Sir Isaac Pitman & Sons, Ltd. Parker Street, Kingsway, W.C.2 Bath, Melbourne, Toronto, New York Printed By Sir Isaac Pitman & Sons, Ltd. Bath, England EDITOR'S PREFACE In issuing these volumes of a series of Handbooks on the Artistic Crafts, it will be well to state what are our general aims. In the first place, we wish to provide trustworthy text-books of workshop practice, from the points of view of experts who have critically examined the methods current in the shops, and putting aside vain survivals, are prepared to say what is good workmanship, and to set up a standard of quality in the crafts w
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