the clock may have performed
its functions in Courtray prior to its removal to Dijon.

The great clock at Nuremberg shows a procession of the Seven Electors,
who come out of one door, pass in front of the throne, each turning
and doing obeisance, and pass on through another door. It is quite
imposing, at noon, to watch this procession repeated twelve times.
The clock is called the Mannleinlauffen.

In the Statutes of Francis I., there is a clause stating that
clockmakers as well as goldsmiths were authorized to employ in their
work gold, silver, and all other materials.

In Wells Cathedral is a curious clock, on which is a figure of a
monarch, like Charles I., seated above the bell, which he kicks
with his heels when the hour comes round. He is popularly known as
"Jack Blandiver." This clock came originally from Glastonbury. On
the hour a little tournament takes place, a race of little mounted
knights rushing out in circles and charging each other vigorously.

Pugin regrets the meaningless designs used by early Victorian clock
makers. He calls attention to the fact that "it is not unusual to
cast a Roman warrior in a flying chariot, round one of the wheels
of which on close inspection the hours may be descried; or the whole
front of a cathedral church reduced to a few inches in height,
with the clock face occupying the position of a magnificent rose
window!" This is not overdrawn; taste has suffered many vicissitudes
in the course of time, but we hope that the future will hold more
beauty for us in the familiar articles of the household than have
prevailed at some periods in the past.

CHAPTER V

TAPESTRY

A study of textiles is often subdivided into tapestry, carpet-weaving,
mechanical weaving of fabrics of a lighter weight, and embroidery.
These headings are useful to observe in our researches in the mediaeval
processes connected with the loom and the needle.

Tapestry, as we popularly think of it, in great rectangular
wall-hangings with rather florid figures from Scriptural scenes,
commonly dates from the sixteenth century or later, so that it is
out of our scope to study its manufacture on an extensive scale.
But there are earlier tapestries, much more restrained in design,
and more interesting and frequently more beautiful. Of these earlier
works there is less profusion, for the examples are rare and precious,
and seldom come into the market nowadays. The later looms were of
course more prolific as