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The Project Gutenberg EBook of Musicians of To-Day, by Romain Rolland This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Musicians of To-Day Author: Romain Rolland Commentator: Claude Landi Translator: Mary Blaiklock Release Date: August 7, 2005 [EBook #16467] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK MUSICIANS OF TO-DAY *** Produced by David Newman, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net MUSICIANS OF TO-DAY BY ROMAIN ROLLAND AUTHOR OF "JEAN-CHRISTOPHE" TRANSLATED BY MARY BLAIKLOCK WITH AN INTRODUCTION BY CLAUDE LANDI [Illustration: Decorative] NEW YORK HENRY HOLT AND COMPANY 1915 CONTENTS INTRODUCTION BERLIOZ WAGNER: "Siegfried" "Tristan" CAMILLE SAINT-SAENS VINCENT D'INDY RICHARD STRAUSS HUGO WOLF DON LORENZO PEROSI FRENCH AND GERMAN MUSIC CLAUDE DEBUSSY: "Pelleas et Melisande" THE AWAKENING: A SKETCH OF THE MUSICAL MOVEMENT IN PARIS SINCE 1870 Paris and Music Musical Institutions before 1870 New Musical Institutions The Present Condition of French Music INTRODUCTION It is perhaps fitting that the series of volumes comprising _The Musician's Bookshelf_ should be inaugurated by the present collection of essays. To the majority of English readers the name of that strange and forceful personality, Romain Rolland, is known only through his magnificent, intimate record of an artist's life and aspirations, embracing ten volumes, _Jean-Christophe_. This is not the place in which to discuss that masterpiece. A few biographical facts concerning the author may not, however, be out of place here. Romain Rolland is forty-eight years old. He was born on January 29, 1866, at Clamecy (Nievre), France. He came very early under the influence of Tolstoy and Wagner and displayed a remarkable critical faculty. In 1895 (at the age of twenty-nine) we find him awarded the coveted Grand Prix of the Academie Francaise for his work _Histoire de l'Opera en Europe avant Lulli et Scarlatti_, and in the same year he sustained, before the faculty of the Sorbonne--where he now occupies the chair of musical crit
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