FREE BOOKS

Author's List




PREV.   NEXT  
|<   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192  
193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   >>   >|  
she has only to stoop over it." "What nonsense!" exclaimed the old priest. His housekeeper, quite scared, stood looking at the ground. "Do not listen to him, Madame Bavoil," cried Durtal. "I have a less medical, and more religious, idea: cultivate a liturgical garden and emblematic vegetables; make a kitchen and flower garden that may set forth the glory of God and carry up our prayers in their language; and, in short, imitate the purpose of the Song of the Three Holy Children in the fiery furnace, when they called on all Nature, from the breath of the storm to the seed buried in the field, to Bless the Lord!" "Very good!" exclaimed the Abbe Plomb; "but you must have a wide space at your disposal, for not less than one hundred and thirty plants are mentioned in the Scriptures; and the number of those to which mediaeval writers give a meaning is immense." "To say nothing of the fact," observed the Abbe Gevresin, "that a garden dependent on our cathedral ought also to reproduce the botany of its architecture." "Is it known?" "A list has not indeed been written for Chartres as it has been for Reims of its sculptured flora: the botany in stone of the church of Notre Dame there, has been carefully classified and labelled by Monsieur Saubinet; still, you will observe that the posies of the capitals are much the same everywhere. In all the churches of the thirteenth century you will find the leaves of the vine, the oak, the rose-tree, the ivy, the willow, the laurel, and the bracken, with strawberry and buttercup leaves. Indeed, as a rule, the image-makers selected native plants characteristic of the region where they were employed." "Did they intend to express any particular idea by the capitals and corbels of the columns?--At Amiens, for instance, there is a wreath of flowers and foliage forming the string-course above the arches of the nave for its whole length and continued over the cornice of the pillars. Apart from the probable purpose of dividing the height into two equal parts in order to rest the eye, has this string-course any other meaning? Does it embody any particular idea? Is it the expression of some phrase relating to the Virgin, in whose name the cathedral is dedicated?" "I do not think so," said the Abbe. "I believe that the artist who carved those wreaths simply aimed at a decorative effect, and made no attempt to give us in symbolical language a compendium of our Mother's virtues. "M
PREV.   NEXT  
|<   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192  
193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   >>   >|  



Top keywords:

garden

 

language

 

purpose

 

meaning

 

capitals

 

leaves

 
string
 
cathedral
 

botany

 

plants


exclaimed

 

intend

 

express

 

employed

 

region

 

native

 

characteristic

 

corbels

 

forming

 
foliage

flowers

 

wreath

 

columns

 

Amiens

 

instance

 

selected

 

century

 

thirteenth

 
churches
 

nonsense


posies

 

buttercup

 

strawberry

 

Indeed

 

arches

 
bracken
 

willow

 

laurel

 

makers

 

artist


carved

 
wreaths
 

simply

 

dedicated

 

decorative

 

Mother

 
compendium
 

virtues

 

symbolical

 
effect