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m your minute observation of our social system, that the form of our elliptical government is gradually undergoing a change, and that a revolutionary parabolic tendency is observable in the action of individual particles? 4. Is it not possible that the differences in the policy of the various nations of Europe; the difficulties which beset the carrying out of international law; the jealousies, quarrels, and rivalries of States might disappear, if the same form of government (_i.e._, elliptical) were adopted in each? If you will kindly favour Her Majesty's Ministers with your opinion on these questions, they will owe you a debt of gratitude, which they, as representatives of the nation, will do their utmost to repay. With every good wish for your further success in the regions of polemical science, I beg to remain, My dear Lady Professor, Your faithful servant, +----------------------+ | | | [4] | | | +----------------------+ [Editorial Note.]--The next letter is not of quite the same pleasing nature as the foregoing, and shows that it is impossible to please everyone, even if that happy consummation were desirable. This letter was evidently called forth by some remarks which the learned Lady Professor had made in her third lecture with reference to eccentricity in dress. Our readers will recollect that the professor pointed out that an extravagant 'bloomer' costume--half male, half female--was no more a sign of genius than aesthetic dresses, always betokened the artist.[5] This latter statement evidently gave great offence to the members of a society which called itself the 'Aesthetic and Dress Improvement Association,' and the following letter is the result of one of their solemn conclaves: Oscar Villa, South Kensington, June, 18--. The Secretary of the Aesthetic and Dress Improvement Association presents his compliments to the Lady Professor of Girtham College, and begs to contradict emphatically her statements with regard to a subject upon which she is evidently in entire and lamentable ignorance, and to protest against her aspersions upon the artistic studies of this and kindred societies. He begs to state that true aesthetes are
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