the boast, the pride, the glory of our present orators,
that their periods are musical enough either for the dancer's heel
[e], or the warbler's throat. Hence it is, that by a frequent, but
preposterous, metaphor, the orator is said to speak in melodious
cadence, and the dancer to move with expression. In this view of
things, even [f] Cassius Severus (the only modern whom Aper has
ventured to name), if we compare him with the race that followed, may
be fairly pronounced a legitimate orator, though it must be
acknowledged, that in what remains of his compositing, he is clumsy
without strength, and violent without spirit. He was the first that
deviated from the great masters of his art. He despised all method and
regular arrangement; indelicate in his choice of words, he paid no
regard to decency; eager to attack, he left himself unguarded; he
brandished his weapons without skill or address; and, to speak
plainly, he wrangled, but did not argue. And yet, notwithstanding
these defects, he was, as I have already said, superior to all that
came after him, whether we regard the variety of his learning, the
urbanity of his wit, or the vigour of his mind. I expected that Aper,
after naming this orator, would have drawn up the rest of his forces
in regular order. He has fallen, indeed, upon Asinius, Caelius, and
Calvus; but where are his champions to enter the lists with them? I
imagined that he had a phalanx in reserve, and that we should have
seen them man by man giving battle to Cicero, Caesar, and the rest in
succession. He has singled out some of the ancients, but has brought
none of his moderns into the field. He thought it enough to give them
a good character in their absence. In this, perhaps, he acted with
prudence: he was afraid, if he selected a few, that the rest of the
tribe would take offence. For among the rhetoricians of the present
day, is there one to be found, who does not, in his own opinion, tower
above Cicero, though he has the modesty to yield to Gabinianus [g]?

XXVII. What Aper has omitted, I intend to perform. I shall produce his
moderns by name, to the end that, by placing the example before our
eyes, we may be able, more distinctly, to trace the steps by which the
vigour of ancient eloquence has fallen to decay. Maternus interrupted
him. I wish, he said, that you would come at once to the point: we
claim your promise. The superiority of the ancients is not in
question. We want no proof of it. Upon t