o name him with Calderon
even for a moment, still his Mystery of this most unmysterious age will,
I believe, keep its honourable place in our English literature as an
impressive, an attractive, and an original production"--pp. 109, 115.
I may mention that the volume containing Belshazzar's Feast, and The
Divine Philothea, the Auto particularly referred to by Sir F. H. Doyle,
has been called Mysteries of Corpus Christi by the publisher. A not
inappropriate title, it would seem, from the last observations of the
distinguished Professor. A third Auto, The Sorceries of Sin, is given
in my Three Plays of Calderon, now on sale by Mr. B. Quaritch, 15
Piccadilly, London. The Divine Philothea, The Sorceries of Sin, and
Belshazzar's Feast are the only Autos of Calderon that have ever been
translated either fully, or, with one exception, even partially into
English.
D. F. MAC-CARTHY.
74 Upper Gardiner Street, Dublin,
March 1, 1870.
* AUTOS SACRAMENTALES: THE DIVINE PHILOTHEA: BELSHAZZAR'S FEAST. Two
Autos, from the Spanish of Calderon. With a Commentary from the German
of Dr. Franz Lorinser. By Denis Florence Mac-Carthy, M.R.I.A. Dublin:
James Duffy, 15 Wellington Quay, and 22 Paternoster Row, London.
+ LECTURES DELIVERED BEFORE THE UNIVERSITY OF OXFORD, 1868. By Sir F.
H. Doyle Bart., M.A., B.C L., Late Fellow of All Souls', Professor of
Poetry. London: Macmillan & Co., 1869.
THE TWO LOVERS OF HEAVEN.[1]
INTRODUCTION.
IN the "Teatro escogido de Don Pedro Calderon de la Barca" (1868), at
present in course of publication by the Royal Academy of Madrid,
Calderon's dramas, exclusive of the autos sacramentales, which do not
form a part of the collection, are divided into eight classes. The
seventh of these comprises what the editor calls mystical dramas, and
those founded on the Legends or the Lives of Saints. The eighth
contains the philosophical or purely ideal dramas. This last division,
in which the editor evidently thinks the genius of Calderon attained its
highest development, at least as far as the secular theatre is
concerned, contains but two dramas, The Wonder-working Magician, and
Life's a Dream. The mystical dramas, which form the seventh division,
are more numerous, but of these five are at present known to us only by
name. Those that remain are Day-break in Copacabana, The Chains of the
Demon, The Devotion of the Cross, The Purgatory of St. Patrick, The
Sibyl of the East, The Vi
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