husband.= Tamyra thinks
that some evil spirit has taken her husband's shape, and cries to
Montsurry to appear and deliver her.

=119=, 161. =Now . . . stands still.= This statement of the leading
principle of the Copernican system, as a mere rhetorical paradox, is
remarkable.

=119-120=, 163-72. =The too huge . . . with hypocrisie.= In this curious
passage the earth is conceived of as a recumbent figure, which usually
lies face upwards to the sky. But the weight of her sins has caused her
to roll over, so that her back part now _braves_ heaven, while her face
is turned to the Antipodes; and all the deceitful appearances which she
has adopted through her cheating arts have come out in their true nature
on her back, so that her hypocrisy stands revealed.

=120=, 178. =he:= the Friar.

=120=, 181. =his.= We should expect a repetition of _her_ in l. 180.
_His_, however seems to be equivalent to _man's_, anticipating _man_ in
l. 182. Possibly we should read _this_.

=121=, 191. =In, Ile after.= These words are addressed to the body of
the Friar.

=122=, 20. =with terror:= inspiring terror in their enemies.

=123=, 28. =And . . . man:= And consider it, though left headless, as a
completely formed man.

=123=, 36. =vertuous treasurie:= stock of virtues.

=124=, 46-53. =Not so . . . mens hate.= An adaptation of Seneca's
_Agamemnon_, 64-72:

_Non sic Libycis Syrtibus aequor
Furit alternos volvere fluctus,
Non Euxini turget ab imis
Commota vadis unda, nivali
Vicina polo;
Ubi, caeruleis immunis aquis,
Lucida versat plaustra Bootes,
Ut praecipites regum casus
Fortuna rotat._

These lines, with those immediately before and after, are more loosely
adapted in Kyd's _Spanish Tragedie_, III, 1, 1-11.

=126=, 23. =this embodied shadow:= this spirit while it had bodily form.

=126=, 24-27. =With reminiscion . . . of art.= Cf. IV, 2, 158-61.

=127=, 41-53. =Terror of darknesse . . . greater light.= After Bussy's
statement in ll. 29-32 we should expect him to immediately summon _the
Prince of darknesse_, Behemoth. But ll. 41-46 are apparently addressed
to the sun-god, who is invoked to put to flight night and mystery. Then
as an alternative, in ll. 47-53, Behemoth, to whom darkness is as light,
is bidden appear. Dilke substitutes _oh_ for _or_ (the reading of all
Qq) at the beginning of l. 47. If this change be right, the invocation
commences at this line, and ll. 41-46 are