yptian
excavations. M. Maspero has himself revised the work, indicated all the
numerous additions, and qualified the expression of any views which he has
seen reason to modify in the course of his researches during the past eight
years. By the headings of the pages, the descriptive titles of the
illustrations, and a minute revision of the index, much has been done to
facilitate the use of the volume as a book of reference. In that capacity
it will be needed by the student long after he first makes acquaintance
with its instructive and abundant illustrations and its luminous
condensation of the archaeological facts and conclusions which have been
elucidated by Egyptology through the devotion of many an arduous lifetime
during the present century, and, not least, by the unremitting labours of
M. Maspero.
_April, 1895_.
PREFACE TO THE FIRST EDITION.
To put this book into English, and thus to hand it on to thousands who
might not otherwise have enjoyed it, has been to me a very congenial and
interesting task. It would be difficult, I imagine, to point to any work of
its scope and character which is better calculated to give lasting delight
to all classes of readers. For the skilled archaeologist, its pages contain
not only new facts, but new views and new interpretations; while to those
who know little, or perhaps nothing, of the subjects under discussion, it
will open a fresh and fascinating field of study. It is not enough to say
that a handbook of Egyptian Archaeology was much needed, and that Professor
Maspero has given us exactly what we required. He has done much more than
this. He has given us a picturesque, vivacious, and highly original volume,
as delightful as if it were not learned, and as instructive as if it were
dull.
As regards the practical side of Archaeology, it ought to be unnecessary to
point out that its usefulness is strictly parallel with the usefulness of
public museums. To collect and exhibit objects of ancient art and industry
is worse than idle if we do not also endeavour to disseminate some
knowledge of the history of those arts and industries, and of the processes
employed by the artists and craftsmen of the past. Archaeology, no less
than love, "adds a precious seeing to the eye"; and without that gain of
mental sight, the treasures of our public collections are regarded by the
general visitor as mere "curiosities"--flat and stale for the most part,
and wholly unprofitable.
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