of the
north. Human nature is not very different in cultivated circles
anywhere. Man loves, and seeks to win the object of his love; or, as
the old English proverb has it:

It's a man's part to try,
And a woman's to deny.

But only in the Latin countries do men who have tried make their
attempts public, and seek to produce an impression that they have been
successful, and that the woman has not denied. This sort of man, in
English-speaking lands, is set down simply as a cad, and is excluded
from people's houses; but in some other countries the thing is regarded
with a certain amount of toleration. We see it in the two books written
respectively by Alfred de Musset and George Sand. We have seen it still
later in our own times, in that strange and half-repulsive story in
which the Italian novelist and poet, Gabriele d'Annunzio, under a very
thin disguise, revealed his relations with the famous actress, Eleanora
Duse. Anglo-Saxons thrust such books aside with a feeling of disgust
for the man who could so betray a sacred confidence and perhaps
exaggerate a simple indiscretion into actual guilt. But it is not so in
France and Italy. And this is precisely what Sainte-Beuve attempted.

Dr. George McLean Harper, in his lately published study of
Sainte-Beuve, has summed the matter up admirably, in speaking of The
Book of Love:

He had the vein of emotional self-disclosure, the vein of romantic or
sentimental confession. This last was not a rich lode, and so he was at
pains to charge it secretly with ore which he exhumed gloatingly, but
which was really base metal. The impulse that led him along this false
route was partly ambition, partly sensuality. Many a worse man would
have been restrained by self-respect and good taste. And no man with a
sense of honor would have permitted The Book of Love to see the
light--a small collection of verses recording his passion for Mme.
Hugo, and designed to implicate her.

He left two hundred and five printed copies of this book to be
distributed after his death. A virulent enemy of Sainte-Beuve was not
too expressive when he declared that its purpose was "to leave on the
life of this woman the gleaming and slimy trace which the passage of a
snail leaves on a rose." Abominable in either case, whether or not the
implication was unfounded, Sainte-Beuve's numerous innuendoes in regard
to Mme. Hugo are an indelible stain on his memory, and his infamy not
only cost him his most prec