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ed of Mr. Spectator's standard of virtue--"Miss Liddy can dance a jig, raise a pasty, write a good hand, keep an account, give a reasonable answer, and do as she is bid;" but then, it only made him yawn. The man was sinking down into an active-bodied, half-learned, half-facetious bachelor. He was mentally cropping dry and solid food contentedly, and, at the same time, he was a bit of a humourist. He loved his little Prissy and Fiddy, as dear god-daughters, whom he had spoilt as children, and whom he was determined to present with portions when he presided at their wedding dinners; but he had no mind to take any of their fellows, for better for worse, as his companion, till death did them part. Then Lady Betty stepped upon the stage at Bath, and before a multitude of frivolous and simple, or gross and depraved spectators, incapable of comprehending her, she played to the manly, modestly intellectual squire. Master Rowland woke up, looked his fill, as open-mouthed as the rest, and while he did so, his system received a shock. Lady Betty was revenged to an extent she had not foreseen. The noble woman went with her whole soul into the sorrows of the dark-eyed, brown-faced sister whom Titian might have painted, and made them accord with her fair English love of justice, her blue-eyed devotion to her husband, her Saxon fearlessness and faith in the hour of danger: only she did look strange and foreign when, in place of lying prostrate in submission and rising in chaste, meek patience to rear her orphan son, she writhed, like a Constance in agony, and died more speedily from her despair than Jaffier by the dagger which on the scaffold freed Pierre. The assembly rose in whole rows, and sobbed and swooned. Mrs. Prissy and Mrs. Fiddy cried in delicious abandonment; Master Rowland sat motionless. "I declare I had forgotten the Justice," reflects Lady Betty, resting behind the scenes. "I do believe I am that poor Belvidera for the last half-hour. I meant to bring the man to tears. His blooming face was as white as a sheet;--poor, dear, good man, I hope he's none the worse of it." Master Rowland knows full well that she is Mistress Betty Lumley the great London actress, not Belvidera the Venetian senator's daughter; but he will never again turn from the chill of his stone-arched hall, where his fingers have grown benumbed riveting a piece of armour or copying an epitaph or an epigram, or linger under his mighty oak-tree,
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