FREE BOOKS

Author's List




PREV.   NEXT  
|<   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111  
112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   >>   >|  
ures within himself; he only needed the slightest touchstone from the outside world to draw them out. A fieldmouse's nest was nearly as good to him as an eagle's eyrie, an ox-eyed daisy as a white rose, a red hemp-nettle as a foxglove. He put down his hat and stood contemplating the bit of rock, until every morsel of leaf told him its tale, and then proceeded to fill his pockets and hands with what the poorest country boy would have deemed the veriest weeds; and at last he would have faced round, and marched home, unconscious that his fair hair, bleached like a child's, was undefended from a pitiless shower impending over his head. Dulcie lingered dutifully behind, picked up that three-cornered hat timidly, called his attention to his negligence, and while he stooped with the greatest ease in life, she, bashfully turning her eyes another way, finally clapped the covering on his crown, as a mother bonnets her child. IV.--OTHER CASTS FOLLOWING THE CAST IN THE WAGGON. Clary and Dulcie were slightly censured for their officiousness in the affairs of these painter fellows: but it is in the nature of women not to take well with contradiction: it is in the nature of good women to fly furiously in the face of whatever crosses their generosity, or thwarts their magnanimity. The crisis came about in this way: Will Locke had finished his work long before Sam; not that Will was more industrious, but he had not got half the commissions at only half the price, and that was about the usual division of labour between them. The two men were born to it. Sam's art took the lucrative shape of portrait-painting; Will's the side of flower and fruit and landscape painting, which was vilely unremunerative then, and allegorical painting, which no one will be at the pains to understand, or, what is more to the purpose, to buy, in this enlightened nineteenth century. Sam, who was thriving already, fell in love with Clarissa Gage, with her six thousand pounds fortune: there was no premeditation, or expediency, or cunning, in the matter; it was the luck of the man. But Will Locke could never have done it: he, who could never make a clear subsistence for himself, must attach himself to a penniless, cheery, quick little girl like Dulcie; and where he could not well maintain one, must provide for two at the lowest estimate. Will Locke was going, and there was no talk of his return; Dulcie was helping him to put up his sketches with her orderly
PREV.   NEXT  
|<   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111  
112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   >>   >|  



Top keywords:

Dulcie

 
painting
 
nature
 

contradiction

 

furiously

 

finished

 

lucrative

 

labour

 
crisis
 

generosity


thwarts
 
industrious
 

magnanimity

 

crosses

 

commissions

 

division

 

purpose

 
subsistence
 

attach

 

penniless


cheery

 
matter
 
cunning
 

return

 

helping

 

sketches

 
orderly
 

estimate

 

maintain

 

provide


lowest

 

expediency

 

premeditation

 

understand

 

allegorical

 

unremunerative

 

flower

 

landscape

 
vilely
 

enlightened


nineteenth

 

thousand

 

pounds

 
fortune
 
Clarissa
 
century
 

thriving

 

portrait

 

FOLLOWING

 

proceeded