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d live-stock. She was disapproving when Claude told her they rented half their land to other farmers. "If I were a young man, I would begin to acquire land, and I would not stop until I had a whole county," she declared. She said that when she met new people, she liked to find out the way they made their living; her own way was a hard one. Later in the evening Madame Schroeder-Schatz graciously consented to sing for her cousins. When she sat down to the piano, she beckoned Claude and asked him to turn for her. He shook his head, smiling ruefully. "I'm sorry I'm so stupid, but I don't know one note from another." She tapped his sleeve. "Well, never mind. I may want the piano moved yet; you could do that for me, eh?" When Madame Schroeder-Schatz was in Mrs. Erlich's bedroom, powdering her nose before she put on her wraps, she remarked, "What a pity, Augusta, that you have not a daughter now, to marry to Claude Melnotte. He would make you a perfect son-in-law." "Ah, if I only had!" sighed Mrs. Erlich. "Or," continued Madame Schroeder-Schatz, energetically pulling on her large carriage shoes, "if you were but a few years younger, it might not yet be too late. Oh, don't be a fool, Augusta! Such things have happened, and will happen again. However, better a widow than to be tied to a sick man--like a stone about my neck! What a husband to go home to! and I a woman in full vigour. Jas ist ein Kreuz ich trage!" She smote her bosom, on the left side. Having put on first a velvet coat, then a fur mantle, Madame Schroeder-Schatz moved like a galleon out into the living room and kissed all her cousins, and Claude Wheeler, good-night. XI One warm afternoon in May Claude sat in his upstairs room at the Chapins', copying his thesis, which was to take the place of an examination in history. It was a criticism of the testimony of Jeanne d'Arc in her nine private examinations and the trial in ordinary. The Professor had assigned him the subject with a flash of humour. Although this evidence had been pawed over by so many hands since the fifteenth century, by the phlegmatic and the fiery, by rhapsodists and cynics, he felt sure that Wheeler would not dismiss the case lightly. Indeed, Claude put a great deal of time and thought upon the matter, and for the time being it seemed quite the most important thing in his life. He worked from an English translation of the Proces, but he kept the French text at his elb
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