FREE BOOKS

Author's List




PREV.   NEXT  
|<   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43  
44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   >>   >|  
_pointing_ and _cutting_ weapons, and make slashing _hits_, which lead to a large percentage of broken blades. I should myself always place the point before the edge, as it is quicker and far more deadly; but as there are numerous instances where cutting is necessary, it is as well to remember that a mere _hit_ with the true edge of a straight-bladed sword is little better than a blow from a heavy stick having an oval section. This brings us to another very important part of the subject, viz. the consideration of the best form of weapon for ordinary practice. To many it may seem that in these few pages on swordsmanship the cart has been placed before the horse, and that a discussion on cuts and guards should have preceded the somewhat intricate questions we have been considering. I have, however, thought it advisable to leave what may be termed the "drudgery" to the end of the chapter, in the hope of thereby creating a more lively interest in the subject. It must, nevertheless, be remembered that, to attain to any sort of proficiency with the sword, a long apprenticeship must be served. Though stick-play is invaluable as an aid to work with the sword, it may be remarked that there are two reasons, and those important ones, why the single-stick should not be first placed in the hands of the beginner, and why it should never altogether usurp the place of the more lethal weapon. The reasons are-- (_a._) The stick is very light, and short smart hits can be made, which are impossible with a sword. (_b._) The hit with the stick is really a hit, and there need be no draw, which, as already explained, is so important in sword-play. To these may be added a third reason. With the stick there is always the temptation not to cut with the true edge, and it is very hard to detect faults in this direction--faults which are hard to cure, and which may quite spoil good swordsmanship. Remembering, then, that every cut and guard must be made with the true edge, and with the second or middle knuckles of the fingers in the direction of the edge, a navy cutlass may be placed in the beginner's hand, and he may be gradually taught all the cuts and guards by means of the target, a sketch of which is here given. [Illustration: Fig. 20.--The target.] In the manual on sword-exercises at present in use in the army, it is stated that there are "four cuts and four guards, so arranged for the sake of clearness, though practicall
PREV.   NEXT  
|<   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43  
44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   >>   >|  



Top keywords:

important

 

guards

 

weapon

 

subject

 

direction

 

swordsmanship

 

faults

 

cutting

 

target

 
reasons

beginner
 

reason

 

single

 
remarked
 

clearness

 

altogether

 
lethal
 

temptation

 
practicall
 

impossible


explained
 

stated

 

taught

 

present

 

gradually

 

cutlass

 

exercises

 

manual

 

Illustration

 

sketch


fingers

 

detect

 

Remembering

 
middle
 

knuckles

 

arranged

 

termed

 
straight
 

bladed

 
consideration

section
 
brings
 

remember

 

percentage

 

broken

 

blades

 

slashing

 

pointing

 
weapons
 

instances