and, put it on his head
with an automatic motion, and went off without a word.

Passepartout heard the street door shut once; it was his new master
going out. He heard it shut again; it was his predecessor, James
Forster, departing in his turn. Passepartout remained alone in the
house in Saville Row.

Chapter II

IN WHICH PASSEPARTOUT IS CONVINCED THAT HE HAS AT LAST FOUND HIS IDEAL

"Faith," muttered Passepartout, somewhat flurried, "I've seen people at
Madame Tussaud's as lively as my new master!"

Madame Tussaud's "people," let it be said, are of wax, and are much
visited in London; speech is all that is wanting to make them human.

During his brief interview with Mr. Fogg, Passepartout had been
carefully observing him. He appeared to be a man about forty years of
age, with fine, handsome features, and a tall, well-shaped figure; his
hair and whiskers were light, his forehead compact and unwrinkled, his
face rather pale, his teeth magnificent. His countenance possessed in
the highest degree what physiognomists call "repose in action," a
quality of those who act rather than talk. Calm and phlegmatic, with a
clear eye, Mr. Fogg seemed a perfect type of that English composure
which Angelica Kauffmann has so skilfully represented on canvas. Seen
in the various phases of his daily life, he gave the idea of being
perfectly well-balanced, as exactly regulated as a Leroy chronometer.
Phileas Fogg was, indeed, exactitude personified, and this was betrayed
even in the expression of his very hands and feet; for in men, as well
as in animals, the limbs themselves are expressive of the passions.

He was so exact that he was never in a hurry, was always ready, and was
economical alike of his steps and his motions. He never took one step
too many, and always went to his destination by the shortest cut; he
made no superfluous gestures, and was never seen to be moved or
agitated. He was the most deliberate person in the world, yet always
reached his destination at the exact moment.

He lived alone, and, so to speak, outside of every social relation; and
as he knew that in this world account must be taken of friction, and
that friction retards, he never rubbed against anybody.

As for Passepartout, he was a true Parisian of Paris. Since he had
abandoned his own country for England, taking service as a valet, he
had in vain searched for a master after his own heart. Passepartout
was by no means one of those