then four o'clock.

"What's the matter?" asked Sir Francis, putting out his head.

"I don't know, officer," replied the Parsee, listening attentively to a
confused murmur which came through the thick branches.

The murmur soon became more distinct; it now seemed like a distant
concert of human voices accompanied by brass instruments. Passepartout
was all eyes and ears. Mr. Fogg patiently waited without a word. The
Parsee jumped to the ground, fastened the elephant to a tree, and
plunged into the thicket. He soon returned, saying:

"A procession of Brahmins is coming this way. We must prevent their
seeing us, if possible."

The guide unloosed the elephant and led him into a thicket, at the same
time asking the travellers not to stir. He held himself ready to
bestride the animal at a moment's notice, should flight become
necessary; but he evidently thought that the procession of the faithful
would pass without perceiving them amid the thick foliage, in which
they were wholly concealed.

The discordant tones of the voices and instruments drew nearer, and now
droning songs mingled with the sound of the tambourines and cymbals.
The head of the procession soon appeared beneath the trees, a hundred
paces away; and the strange figures who performed the religious
ceremony were easily distinguished through the branches. First came
the priests, with mitres on their heads, and clothed in long lace
robes. They were surrounded by men, women, and children, who sang a
kind of lugubrious psalm, interrupted at regular intervals by the
tambourines and cymbals; while behind them was drawn a car with large
wheels, the spokes of which represented serpents entwined with each
other. Upon the car, which was drawn by four richly caparisoned zebus,
stood a hideous statue with four arms, the body coloured a dull red,
with haggard eyes, dishevelled hair, protruding tongue, and lips tinted
with betel. It stood upright upon the figure of a prostrate and
headless giant.

Sir Francis, recognising the statue, whispered, "The goddess Kali; the
goddess of love and death."

"Of death, perhaps," muttered back Passepartout, "but of love--that
ugly old hag? Never!"

The Parsee made a motion to keep silence.

A group of old fakirs were capering and making a wild ado round the
statue; these were striped with ochre, and covered with cuts whence
their blood issued drop by drop--stupid fanatics, who, in the great
Indian ceremonies, still th