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e a Consul. Minerva blacking the boots of Caligula--it is a clever combination! But there is an even worse use of Pallas, which War and the German War-lords have made. They have found a new Pallas of their own, not the supernal Goddess of Heavenly Wisdom and Moderation, but her infernal counterfeit, sung of by a famous English poet in prophetic lines that come back to us to-day with new force. Who loves not Knowledge, who shall rail Against her beauty, may she mix With men and prosper, who shall fix Her pillars? let her work prevail---- Yes, but how do the lines continue? What is she cut from love and faith But some wild Pallas from the brain Of Demons, fiery hot to burst All barriers in her onward race For power? Let her know her place, She is the second, not the first. Knowledge is power, but, unrestrained by conscience, a very awful power. This is the Pallas whom the "Demons," from whose brain she has sprung, are using for their demoniac purposes. She too might have her portrait painted--and they. Perhaps Raemaekers will paint them both before he has done. HERBERT WARNER. [Illustration: PALLAS ATHENE "Has it come to this?"] ----------------------------------------------------------------------- THE WONDERS OF CULTURE Of all forms of "Kultur" or "frightfulness" that which materializes in the "the terror which flieth by night" is to the intelligent mind at one and the same time the most insensate and damnable. It fails to accomplish, either in Paris or in London, the subjugation by terror of the people for which Germans seem to hope. It is only in German imagination that it accomplishes "material and satisfactory damage to forts, camps, arsenals, and fortified towns." In reality it inflicts misery and death upon a mere handful of people (horrible as that may be) and destroys chiefly the homes of the poor. It serves no military end, and the damage done is out of all proportion to the expenditure of energy and material used to accomplish it. The fine cartoon which Raemaekers has drawn to bring home to the imagination what this form of "Kultur" stands for makes it easy for us in London to sympathize with our brothers and sisters in Paris. We have as yet been spared daylight raids in the Metropolitan area, and so we needed this cartoon to enable us to realize fully what "Kultur" b
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