e that the enemy was
prepared for such resistance as he has met with. To all appearance, the
Germans expected to break through in a few days, and hoped that this
success would rehabilitate the credit of the paltry young prince whom we
here see entangled in barbed wire, his uniform in rags, and despair
depicted on his haggard face. Another confessed failure would finish the
career of the Crown Prince; and yet there are limits to the endurance of
any troops, and these limits have now been reached. There is nothing
left to young William but useless imprecations. He swaggered into this
war, for which he is partly responsible, expecting to win the reputation
of a general; he will sneak out of it with the reputation of a burglar.

W. R. INGE.

[Illustration: GOTT STRAFE VERDUN

"If only I knew whether it is less dangerous to advance or to retire."]

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THE LAST THROW

The first throw, of course, was that great rush which was stayed at the
Marne by the Genius of Joffre; then there was the throw of the great
attack on Russia, that which laid waste Serbia, and that which would
have thrust men down from the Alps on to the Italian plain. In each of
these Raemaekers' symbolism is applicable, for in each case death threw
higher than either Germany or Austria could afford.

But in none is the symbolism so terribly fitting as in this case of
Verdun, where the fighting men went forward in waves and died in
waves--here death threw higher in every attack than Germany could throw,
and to such heights was the slaughter pushed that it was, in truth, the
last throw of which these war-makers were capable. It is significant,
now that Germany can no longer afford such reckless sacrifices as were
made before Verdun, that the German press contains allusions to heavy
sacrifices on the part of the Allies, and tries to point to folly in
allied policy. Surely, in the matter of sacrifice of life, no nation is
so well qualified to speak from experience as Germany.

There is clumsy anxiety expressed in every line of the figure that holds
the dice box, and in every line of the figure in the background is
nervous fear for the result of the throw--fear that is fully justified.
But Death, master of the game, waits complacently to mark the score,
knowing that these two gamblers are the losers--and that the loser pays.