it were a member for his larger length, because it occupied twice as
much time as the _comma_. The third they called _periodus_, for a
complement or full pause, and as a resting place and perfection of so much
former speach as had bene vttered, and from whence they needed not to
passe any further vnles it were to renew more matter to enlarge the tale.
This cannot be better represented then by example of these common
trauailers by the hie ways, where they seeme to allow themselues three
maner of staies or easements: one a horsebacke calling perchaunce for a
cup of beere or wine, and hauing dronken it vp rides away and neuer
lights: about noone he commeth to his Inne, & there baites him selfe and
his horse an houre or more: at night when he can conueniently trauaile no
further, he taketh vp his lodging, and rests him selfe till the morrow:
from whence he followeth the course of a further voyage, if his business
be such. Euen so our Poet when he hath made one verse, hath as it were
finished one dayes iourney, & the while easeth him selfe with one baite at
the least, which is a _Comma_ or _Cesure_ in the mid way, if the verse be
euen and not odde, otherwise in some other place, and not iust in the
middle. If there be no _Cesure_ at all, and the verse long, the lesse is
the makers skill and hearers delight. Therefore in a verse of twelue
sillables the _Cesure_ ought to fall right vpon the sixt sillable: in a
verse of eleuen vpon the sixt also leauing fiue to follow. In a verse of
ten vpon the fourth, leaving sixe to follow. In a verse of nine vpon the
fourth, leauing fiue to follow. In a verse of eight iust in the middest,
that is, vpon the fourth. In a verse of seauen, either vpon the fourth or
none at all, the meeter very ill brooking any pause. In a verse of sixe
sillables and vnder is needefull no _Cesure_ at all, because the breath
asketh no reliefe: yet if ye giue any _Comma_, it is to make distinction
of sense more then for any thing else: and such _Cesure_ must neuer be
made in the middest of any word, if it be well appointed. So may you see
that the vse of these pawses or distinctions is not generally with the
vulgar Poet as it is with the Prose writer because the Poetes cheife
Musicke lying in his rime or concorde to heare the Simphonie, he maketh
all the hast he can to be at an end of his verse, and delights not in many
stayes by the way, and therefore giueth but one _Cesure_ to any verse: and
thus much for the soun