eir inception
in the brains of women. Traveling libraries have been a boon to
many a small town. Though it is impossible to digress in woman's
work in the industries, the Newcomb Pottery, made at the Sophia
Newcomb College, Louisiana, should be mentioned, all of which is
done by women educated at that school of design.
I commend the ample and reliable literature on all these
subjects, as a better source of information on the merits of
these inventions that can be shown in this brief report. But
most of women's work in the educational section, the school
work, art work, etc., was an improvement along already existing
lines. But along household and economic lines women, during the
last ten years, have done original thinking and much
investigation. And the studies in sanitary chemistry, the
attainments as a scholar and scientist of Mrs. Ellen C.
Richards, Vassar, 1870, stand out conspicuously, having won for
her the respect of the world.
The question of the value of the product or process, as measured
by its usefulness or beneficent influence on mankind, is so vast
that a flood of answers sweep over one, embracing the whole
field of women's usefulness and the whole realm of education.
The usefulness of the discovery of radium has scarcely been
estimated as yet, nor has the beneficent influence of teaching
defectives, and of many of the household inventions been fully
enjoyed up to this time. The question involves much of the
scientific success of the future along both physical, mental,
moral, and educational lines, and, judging by the past, we feel
assured that many brilliant achievements will owe their origin
and accomplishment to women.
There was naturally nothing lacking in the merits of the
installation of any exhibit presented by women, nor in the taste
manifested in the placing of the same. The women's college
booths were always effectively arranged and sometimes made up
for the lack of range of exhibit by unusual artistic grouping
and tasteful placing of the displays.
Several times I have referred to the progress in art displayed
by woman at St. Louis. This was evidenced not only in the
magnificent specimens of her brush and chisel in the Fine Arts
Museum in both the home and foreign art schools, but in the
prolific efforts of her skill in outside expos
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