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eir inception in the brains of women. Traveling libraries have been a boon to many a small town. Though it is impossible to digress in woman's work in the industries, the Newcomb Pottery, made at the Sophia Newcomb College, Louisiana, should be mentioned, all of which is done by women educated at that school of design. I commend the ample and reliable literature on all these subjects, as a better source of information on the merits of these inventions that can be shown in this brief report. But most of women's work in the educational section, the school work, art work, etc., was an improvement along already existing lines. But along household and economic lines women, during the last ten years, have done original thinking and much investigation. And the studies in sanitary chemistry, the attainments as a scholar and scientist of Mrs. Ellen C. Richards, Vassar, 1870, stand out conspicuously, having won for her the respect of the world. The question of the value of the product or process, as measured by its usefulness or beneficent influence on mankind, is so vast that a flood of answers sweep over one, embracing the whole field of women's usefulness and the whole realm of education. The usefulness of the discovery of radium has scarcely been estimated as yet, nor has the beneficent influence of teaching defectives, and of many of the household inventions been fully enjoyed up to this time. The question involves much of the scientific success of the future along both physical, mental, moral, and educational lines, and, judging by the past, we feel assured that many brilliant achievements will owe their origin and accomplishment to women. There was naturally nothing lacking in the merits of the installation of any exhibit presented by women, nor in the taste manifested in the placing of the same. The women's college booths were always effectively arranged and sometimes made up for the lack of range of exhibit by unusual artistic grouping and tasteful placing of the displays. Several times I have referred to the progress in art displayed by woman at St. Louis. This was evidenced not only in the magnificent specimens of her brush and chisel in the Fine Arts Museum in both the home and foreign art schools, but in the prolific efforts of her skill in outside expos
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