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And there, in easily decipherable code, was not only the formula, but the working principles of the ship's booster--or rather, time-catapult. After that, it was a simple matter to reverse the principle and throw us backward in the time stream. We are heading back as I write these lines. If they reach print and you read them, it will mean our escape was successful and that we returned to our proper slot in the epilogue of human events. There remains, however, one matter to trouble me. Navigator Norris. I like the man. I like him tremendously, in spite of his cold-blooded confession, and past record. He must be punished, of course. But I, for one, would hate to see him given the death penalty. It is a serious problem. Transcriber's Note: This etext was produced from _Fantastic Universe_ September 1955. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. End of the Project Gutenberg EBook of The Long Voyage, by Carl Richard Jacobi *** END OF THIS PROJECT GUTENBERG EBOOK THE LONG VOYAGE *** ***** This file should be named 29742.txt or 29742.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/9/7/4/29742/ Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public do
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