FREE BOOKS

Author's List




PREV.   NEXT  
|<   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125  
126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   >>   >|  
rain, clouds, thunder and lightning. But it is essentially and pre-eminently the symbol of rain; and the god who controls the rain, Chac of the Mayas, Tlaloc of the Aztecs, carried the axe and the thunderbolt like his homologues and prototypes in the Old World. In America also we find reproduced in full, not only the legends of the antagonism between the thunder-bird and the serpent, but also the identification of these two rivals in one composite monster, which, as I have already mentioned, is seen in the winged disks, both in the Old World and the New.[149] Hardly any incident in the history of the Egyptian falcon or the thunder-birds of Babylonia, Greece or India, fails to reappear in America and find pictorial expression in the Maya and Aztec codices. [Illustration: Fig. 13. A photographic reproduction of the 36th page of the Dresden Maya Codex. Of the three pictures in the top row one represents the elephant-headed god _Chac_ with a snake's body. He is pouring out rain. The central picture represents the lightning animal carrying fire down from heaven to earth. On the right _Chac_ is shown in human guise carrying thunder-weapons in the form of burning torches. In the second row a goddess sits in the rain: her head is prolonged into that of a bird, holding a fish in its beak. The central picture shows _Chac_ in his boat ferrying a woman across the water from the East. The third illustration depicts the familiar conflict between the vulture and serpent. In the third row _Chac_ is seen with his axe: in the central picture he is standing in the water looking up towards a rain-cloud; and on the right he is shown sitting in a hut resting from his labours.] What makes America such a rich storehouse of historical data is the fact that it is stretched across the world almost from pole to pole; and for many centuries the jetsam and flotsam swept on to this vast strand has made it a museum of the cultural history of the Old World, much of which would have been lost for ever if America had not saved it. But a record preserved in this manner is necessarily in a highly confused state. For essentially the same materials reached America in manifold forms. The original immigrants into America brought from North-Eastern Asia such cultural equipment as had reached the area east of the Yenesei at the time when Europe was in the Neolithic phase of culture. Then when ancient mariners began to coast along the Eastern Asiatic
PREV.   NEXT  
|<   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125  
126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   >>   >|  



Top keywords:

America

 

thunder

 

picture

 

central

 
Eastern
 

reached

 

cultural

 

represents

 

history

 

serpent


carrying
 

essentially

 
lightning
 
stretched
 

storehouse

 

historical

 
ferrying
 

sitting

 
vulture
 
standing

conflict

 

resting

 

centuries

 

illustration

 
labours
 
familiar
 

depicts

 

equipment

 

Yenesei

 

original


immigrants

 
brought
 

Europe

 

mariners

 

Asiatic

 
ancient
 

Neolithic

 

culture

 
manifold
 

materials


museum

 

flotsam

 

strand

 
confused
 

highly

 

necessarily

 

record

 

preserved

 

manner

 

jetsam