ster are early known pictorial
representations of the dragon, good or bad, the serpent is probably more
ancient still (Fig. 2).
The earliest form assumed by the power of evil was the serpent: but it
is important to remember that, as each of the primary deities can be a
power of either good or evil, any of the animals representing them can
symbolize either aspect. Though Hathor in her cow manifestation is
usually benevolent and as a lioness a power of destruction, the cow may
become a demon in certain cases and the lioness a kindly creature. The
falcon of Horus (or its representatives, eagle, hawk, woodpecker, dove,
redbreast, etc) may be either good or bad: so also the gazelle (antelope
or deer), the crocodile, the fish, or any of the menagerie of creatures
that enter into the composition of good or bad demons.
"The Nagas are semi-divine serpents which very often assume human shapes
and whose kings live with their retinues in the utmost luxury in their
magnificent abodes at the bottom of the sea or in rivers or lakes. When
leaving the Naga world they are in constant danger of being grasped and
killed by the gigantic semi-divine birds, the Garudas, which also change
themselves into men" (de Visser, p. 7).
"The Nagas are depicted in three forms: common snakes, guarding jewels;
human beings with four snakes in their necks; and winged sea-dragons,
the upper part of the body human, but with a horned, ox-like head, the
lower part of the body that of a coiling-dragon. Here we find a link
between the snake of ancient India and the four-legged Chinese dragon"
(p. 6), hidden in the clouds, which the dragon himself emitted, like a
modern battleship, for the purpose of rendering himself invisible. In
other words, the rain clouds were the dragon's breath. The fertilizing
rain was thus in fact the vital essence of the dragon, being both water
and the breath of life.
"We find the Naga king not only in the possession of numberless jewels
and beautiful girls, but also of mighty charms, bestowing supernatural
vision and hearing. The palaces of the Naga kings are always described
as extremely splendid, abounding with gold and silver and precious
stones, and the Naga women, when appearing in human shape, were
beautiful beyond description" (p. 9).
De Visser records the story of an evil Naga protecting a big tree that
grew in a pond, who failed to emit clouds and thunder when the tree was
cut down, because he was neither despised n
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