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rks, any that have either Letters or other Manuscripts of his by them are desired to communicate them to Mr. John Tarrey, distiller, at the Golden Fleece, near Shadwick Dock." This design, with the exception of the publication of _The Restoration_, seems to have proved abortive. White entertained many opinions in common with Sterry, which he advocates with great power. He does not however, like his fellow chaplain, soar into the pure empyrean of theology with unfailing pinions. Sterry has frequently sentences which Milton might not have been ashamed to own. His _Discourse of the Freedom of the Will_ is a noble performance, and the preface will well bear a comparison with Cudworth's famous sermon on the same subject. JAS. CROSSLEY. * * * * * PHOTOGRAPHIC NOTES AND QUERIES. _Colouring Collodion Portraits._--I shall be obliged if any brother photographer will kindly inform me, through the medium of "N. & Q.," the best method of colouring collodion portraits and views in a style similar to the hyalotypes shown at the Great Exhibition. We country photographers are much indebted to DR. DIAMOND for the valuable information we have obtained through his excellent papers in "N. & Q.," and perceiving he is shortly about to give us the benefit of his experience in a compact form, under the modest title of _Photographic Notes_, I suggest that, if one of his Notes should contain the best method of colouring collodion proofs, so as to render them applicable for dissolving views, &c., he will be conferring a benefit on many of your subscribers; and, as one of your oldest, allow me to subscribe myself PHOTO. _On some Points in the Collodion Process._--In your impression of this day's date (Vol. vii., p. 363.), the Rev. J. L. SISSON desires the opinion of other photographers relative to lifting the plate with the film of collodion up and down several times in the bath of nit. silv. solution; and as my experience on this point is diametrically opposed to his own, I venture to state it with the view of eliciting a discussion. The _evenness_ of the film is not at all dependent upon this practice; but its sensibility to light appears to be considerably increased. The plate, after being plunged in, should be allowed to repose quietly from twenty to thirty minutes, _and then rapidly_ slid in and out several times, until the liquid flows off in one continuous and even _sheet_ of
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