rks, any that have either Letters or other Manuscripts of his
by them are desired to communicate them to Mr. John Tarrey,
distiller, at the Golden Fleece, near Shadwick Dock."
This design, with the exception of the publication of _The Restoration_,
seems to have proved abortive. White entertained many opinions in common
with Sterry, which he advocates with great power. He does not however,
like his fellow chaplain, soar into the pure empyrean of theology with
unfailing pinions. Sterry has frequently sentences which Milton might
not have been ashamed to own. His _Discourse of the Freedom of the Will_
is a noble performance, and the preface will well bear a comparison with
Cudworth's famous sermon on the same subject.
JAS. CROSSLEY.
* * * * *
PHOTOGRAPHIC NOTES AND QUERIES.
_Colouring Collodion Portraits._--I shall be obliged if any brother
photographer will kindly inform me, through the medium of "N. & Q.," the
best method of colouring collodion portraits and views in a style
similar to the hyalotypes shown at the Great Exhibition.
We country photographers are much indebted to DR. DIAMOND for the
valuable information we have obtained through his excellent papers in
"N. & Q.," and perceiving he is shortly about to give us the benefit of
his experience in a compact form, under the modest title of
_Photographic Notes_, I suggest that, if one of his Notes should contain
the best method of colouring collodion proofs, so as to render them
applicable for dissolving views, &c., he will be conferring a benefit on
many of your subscribers; and, as one of your oldest, allow me to
subscribe myself
PHOTO.
_On some Points in the Collodion Process._--In your impression of this
day's date (Vol. vii., p. 363.), the Rev. J. L. SISSON desires the
opinion of other photographers relative to lifting the plate with the
film of collodion up and down several times in the bath of nit. silv.
solution; and as my experience on this point is diametrically opposed to
his own, I venture to state it with the view of eliciting a discussion.
The _evenness_ of the film is not at all dependent upon this practice;
but its sensibility to light appears to be considerably increased.
The plate, after being plunged in, should be allowed to repose quietly
from twenty to thirty minutes, _and then rapidly_ slid in and out
several times, until the liquid flows off in one continuous and even
_sheet_ of
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